本論文從「楊柳賦作品本身的書寫流變」以及「同朝代的楊柳詩賦對照」兩項主軸,作為研究的縱向面與橫向面,希冀能由「楊柳賦史的概念」及「詩賦交融化出」的兩個面向作切入,以觀知歷代楊柳賦的書寫特色、演變與相關影響。 第一章回顧與楊柳主題相關的研究,並針對楊柳的離別祝願意象作分析。第二章至第七章以朝代為區隔,分別釐析漢代、六朝、唐代、宋代、明代、清代的楊柳賦書寫,乃在對楊柳賦作品的整理爬梳、文本意旨的闡述之外,更進一步觀察出歷代楊柳賦的書寫特色與轉變,並以同一作家或同朝代的楊柳詩、賦作品做比較,期能以不同面向的書寫比對,呈顯出屬於楊柳的賦史觀,並佐以各朝代的相關楊柳典故、史料、詩、詞、文章等作品為比對應證之資。第八章歸整出歷代楊柳賦的書寫特色、時代轉變、及楊柳詩賦書寫流轉的情形,並論及《全臺賦》洪繻〈春柳賦〉四篇皆受到傳統歌詠楊柳的賦作影響甚深,在歷代楊柳賦的傳承意義上,實具有相當重要的價值。 整體而言,漢代楊柳賦的書寫,由君子比德的個體創作,轉變到暇豫優言的應制創作;六朝楊柳賦的書寫,由同題競采的優言文學,轉變成抒發己志的文士文學;唐代楊柳賦的書寫,由觀物興感的哲思文學,轉變到觀物頌德的科舉文學;宋代楊柳賦的書寫,由匠心獨運的創作手法,轉變到反璞歸真的抒情言志;明代楊柳賦的書寫,由喻世的官場文學,轉變到抒情的事類創作;清代楊柳賦的書寫,由宮廷學士的臣子心聲,轉變到天子皇帝的君王興嘆。
This doctoral thesis research into “writing change of willow fu” and “comparison between willow fu and poetry” that hopes from “concept of willow fu history” and “blend of willow fu and poetry” to comprehend the writing characteristics, evolution, and related influence. The first chapter reviews the research related to the topic of willow and analyzes the separation and blessing image of willow. Chapter two to chapter seven discuss the willow fu writing in Han dynasty, Six dynasties, Tang dynasty, Song dynasty, Ming dynasty, and Qing dynasty. In addition to arrange and interpret the willow fu literature, these chapters observe the writing features and change and furthermore compare willow fu with poetry on the same author or dynasty that expect to use the writing comparison in different aspect to appear the willow fu history viewpoint. Chapter eight generalizes the writing characteristics and evolution of willow fu and the interaction between willow fu and poetry. Overall, the writing of willow fu in Han dynasty is from individual creation on emphasizing morality to collective creation on flattering king, the writing of willow fu in Six dynasties is from contender literary on flattering king to author literary on expressing ideal, the writing of willow fu in Tang dynasty is from philosophy literary on arising feeling to examination literary on expressing ideal, the writing of willow fu in Song dynasty is from creative skill on intending to decoration to expressing ideal on returning to innocence, the writing of willow fu in Ming dynasty is from official literary on analogy with world to classifying creation on expressing feeling, and the writing of willow fu in Qing dynasty is from minister emotion of palace scholar to king sigh of emperor.