非 雲

Post Cloud

陳柏源(Po-Yuan Chen)

指導教授 ： 詹獻坤

國立高雄師範大學/藝術學院/美術系/碩士(2020年)

摘要

本研究「非 雲」是透過一次夜晚搭飛機，從颱風上空中強降的感覺過程。當事人在機艙內部的乘坐空間所望見的雲的形態變化，在移動中觀物的過程以及依靠閃電在夜間窗外的曝光景象，促成筆者啟動一項反思雲為主軸，在繪畫上對抽象與意象之間模糊性形成的創作思考。當再次回首觀望雲的同時，那存有的記憶成為了一個活的層次。對自然有了回應的態度，透過語詞上反證的思考建立起可切入雲在繪畫創作表現的位置，以「非 雲」的思考重新詮釋雲在圖像符號中的「延異」。筆者認為雲如何被捕捉以及它跟平面
繪畫之間的空間關係是需要被釐清的。本研究專注於筆者在 2018年至2020年之間的創作脈絡，擴展雲在藝術創作上的圖譜，並以此形成自身的方法論和創作系統。本論文分為五章，第一章：緒論，爬梳個人生命史與其對應的價值觀，研究內容和問題意識等。第二章：雲在繪畫中之文脈，探討雲在繪畫上難以捕捉的痕跡，並且分析在繪畫空間上具有邊界限制的框的隱喻。第三章：非雲觀之理念表述，提出沿著雲非定形的模糊形態進而敞開繪畫表現上主體想像的位置。第四章：非雲之創作形式與手法，以實踐脈絡的結果來帶出「非 雲」在平面繪畫創作上的特徵以及筆者個人的感性經驗與思辯過程。第五章：結論，整理出「非 雲」思辯過程中的脈絡，並可銜接抽象藝術與中國水墨中的範疇，形成在抽象與意象之間的表現空間。

關鍵字

雲 ； 距離 ； 移動經驗 ； 模糊性

並列摘要

In this research, “Post Cloud” is the process of experiencing an unstable landing from the typhoon through a night flight. The changes in cloud’s shapes are seen by sitting inside the cabin space, beside the window seat. The process of observing this object is during surfing in the air and relying on the exposures of lightning from outside the night window. This experience brings out the researcher’s research by having a reflection of cloud as the theme and how its ambiguity contributes to the abstraction and imagery fields in painting.

When the researcher looks back at the clouds again, the existing memory seems to come alive. From having a responsive attitude to nature, “Post Cloud” can be established through making a counter proposal which gives a position that can be entered to the conditions like paintings and reinterpreted the “différance” in image symbols with words like “Post” or “Non”. The researcher believes that how clouds can be captured through a picture plane and its spatial relationship with painting need to be clarified. This research focuses on the researcher’s art creation between 2018 and 2020, expanding the collection of cloud’s illustrative plates in art and form his own methodology and creative system.

This thesis is divided into five chapters, Chapter 1: Introduction, combing personal history and its corresponding values, research content and awareness of the problem. Chapter 2: The context of cloud in painting, explores the traces of how cloud is difficult to capture inside a picture plane in paintings and analyzes the metaphor of the frame with boundary restrictions inside paintings. Chapter 3: Expression of the concept of “Post Cloud”, analyzing the following of the amorphous and ambiguity forms of cloud’s shape opens a position for letting the subject's imagination and performance into painting. Chapter 4: “Post Cloud” artistic forms and techniques, with the result of practice, brings out the art characteristics of “Post Cloud” in the picture plane and the researcher’s personal perceptual experience and his debating process. Chapter 5: Conclusion, sort out the context of “Post Cloud” and connect it to the fields of abstract art and Chinese ink painting, by forming an entry of space between abstraction and imagery expressions.

並列關鍵字

Cloud ； Distance ； Transferring Experience ； Ambiguity

參考文獻

一、中文書籍

陳俊輝 著，《祈克果》，台北：東大，民78。

劉耀中 著，《榮格》，台北：東大，民84。

李淑卿 著，《自然與情感交融：英國浪漫時期風景畫的天空》，新北市：聯經，2018。

徐復觀 著，《中國藝術精神》，台北：台灣學生出版，1966。