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  • 學位論文

物質生活觀察與反思之創作研究

A Practice Based Research on the Observation and Rethinking of Material Lives

指導教授 : 黃淑芳
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摘要


以自我生活為觀察依據,帶出現今物質世界對比兒時樸實生活的衝擊,聯想「大量」議題的關注,省思物質對自己的影響及個人對物品的態度,探討自我定位與實質轉變。從過度消費進而懂得取捨,目的為塑造適合自己的生活型態,以及如何在大量物質充斥的時代中,正視自我與物品間取得平衡的相處之道,透過「物品」、「食物」、「資訊」三項生活觀察作為延伸創作的基礎,共九幅抽象作品。筆者以慣用的創作形式不打草稿、不修改、不重畫的直覺藝術,從不同筆材演練中確立自我風格,本篇創作的突破在於,延續個人創作歷程的脈絡,保留手繪質感,依循自己對生活的觀察與體悟,反思大量物質對人類的影響,佐以草圖輔助發揮所想,透過抽象的隱喻概念,以線條及圓點呈現具象的簡化與消化後的成果。從檢視自我而起,著重個人觀察生活後啟發的創作,鼓勵人們從中培養細膩觀察的角度,融合延伸聯想的創造力,打造屬於自己獨特的創作風格。盼透過此創作研究之意涵,引起觀者共鳴有所省思,正視大量物質帶給人類的衝擊與大自然的反撲。

並列摘要


Based on the observation of the author's own life, this paper compares the differences between the present material world and the simple childhood life, discusses issues of the mass, reflects on the influence of materials on the author and personal attitude towards objects, and explores the self-positioning and substantial changes. From over-consumption to rational consumption, the purpose is to shape the lifestyle that suits us, and discuss how to strive a balance between ourselves and the objects in a time with numerous materials. With the life observation of "objects," "food," and "information" as the basis, a total of nine abstract works were created. The author has established her own style from the practice of different brushwork with the intuitive art of making no drafts, revising and repainting. The breakthrough of the paper lies in the continuation of the personal creative process, the retention of hand-painted texture, the reflection on the impacts of numerous materials on human beings based on individual observation and understanding of life, and the use of sketches to assist in thinking, the presentation of the concrete simplified and digested results in the form of lines and dots through the abstract metaphor concept. From the perspective of self-examination, the author emphasizes the creation inspired by personal observation, encourages people to cultivate the delicate observation, to combine and extend the creativity of association, and to establish their own unique creative styles. It is hoped that through the implications of this creative research, viewers can reflect on the impact of numerous materials on human beings and the counterattacks of nature.

參考文獻


一、中文
王宏仁(譯)(2010)。消費社會學The Sociology of Consumption(Peter Corrigan彼得.柯睿耿)。台北:群學出版有限公司。
王芷華、李旻萍(譯)(2015)。為什麼你該花更多的錢,買更少的衣服? 拯救地球,也拯救你衣櫃的新購衣哲學To Die for: Is Fashion Wearing out the World?(Lucy Siegle露西.希格爾)。台北:麥田出版社。
王庭玫、謝汝萱(2010)。藝術中的吃喝Eating and Drinking in Art。台北 :藝術家出版社。
王庭賓(2007)。模板塗鴉圖像風格應用於T恤設計創作研究(碩士論文)。 輔仁大學應用美術學系。取自博碩士論文知識加值系統。

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