時代的巨輪不停地轉動,在科技日新月異的社會中,人與人之間的直接互動日益減損,關係日趨冷漠。創作者觀察到身邊的朋友與家人間的關係亦是如此,原應親愛且互動緊密的父母或手足,雖有同住之名卻無互動之實。雙方見面僅打一聲招呼、道聲「嗨」,對彼此更進一步的生活細節卻一無所知。或許有許多錯縱複雜的因素造成如此現象,儘管無法一一探究,創作者仍察覺了包覆於親情之外的冷漠硬殼,從而衍生出策劃此次攝影創作展的動機。 此次創作以創作者自我本身及其原生家庭為攝影主角,透過自我述說及拼貼式攝影的結合,來表達創作者與原生家庭間的矛盾,讓觀者產生共鳴,進而思考自身與家庭成員間的微妙關係,或是覺察自身可能的冷漠狀態並思考改變的可能。創作者也趁著本次展出整理了自身的生命歷程,從中思考自我狀態的成長與改變。
In a developed society with progressive sciences, the rolling wheel of time keeps grinding the relationship between people and reduces their interaction. The artist observed the same grim situation happening even between parents or siblings who live together and are supposed to be intimate or interact tightly. They would say hello to each other without a further step to explore their partner’s details in life. There might be different complicate reasons not able to research to cause such a consequence, however, the artist still perceived the cold shell covering the family bond, and derived the motivation to design the series of photography collages. The new series focused on the artist herself and her family. Through the combination of self-representation and photo collages that expressed the contradiction between the artist and her family, the artworks aroused echoes in the audience and made them think the bizarre relationship between themselves and their family, or notice the coldness inside them, and consider how to make a change. When preparing the exhibition, the artist also rearranged her life courses and communicated with herself about her ego development and changes.