樂音轉譯影像之實驗創作研究─瀰迷之音視覺實驗創作

Study on Experimental Design from Music to Image─The Memes’ Sound-Visual Experimental Work

蕭淑乙(Shu-Yi Hsiao)

指導教授 ： 王桂沰

朝陽科技大學/設計學院/設計研究所/碩士(2008年)

摘要

本文試圖提出樂音和影像之間的轉譯結構。首先蒐集並分析文獻中樂音與影像在情感與認知的共通性，並借用王桂沰提出的象徵矩陣結構，做為轉譯手法的分析依據，產生樂音轉譯為視覺影像的概念結構。再自筆者完成的五項樂音視覺化之實驗創作─「瀰迷之音」，為本文的分析對象。

筆者從文獻研究以及整個創作過程紀錄中，歸納出樂音和影像之間的轉譯結構，包括樂曲中的主題、節奏、樂境產生的一連串意義以及其對應於影像的視覺符號選擇、符號組織。透過這個實驗創作設計，筆者對自己和設計都有更深一層的認識，例如在樂音產生的故事，是轉譯為影像時的符號選擇依據；動態影片也可符合樂音流動的特質，利用對位在視覺中產生一致性；創作的過程總是會因技術不足而產生缺憾，可用趣味性表性彌補。並建議之後的研究者可從主題式、幻想式的角度出發，找到象徵樂音的視覺符號；自對位的反向─非對位進行創作實驗，藉此創新視覺表現。

關鍵字

影像 ； 轉譯 ； 實驗創作

並列摘要

The main goal of this study is to reveal the transformation structure between music and image. Through literature review on music and image to find out the communality of sense and cognition, and applying the semiotic square of symbolism proposed by Kuei-To Wang as the foundation of analyzing the transformation manner, this study resulted in a conceptual structure of visualizing music to image. Then, the author’s experimental designs of visualizing five melodies, the Memes’ Sound, were analyzed on the basis of this conceptual structure.

Through literature review and design process recorded, the author concludes a transformation structure including the meaning from the subject, tempo and contextual situation of music in opposition to visual sign selection and components of image. From the experimental designs, the author gets more understanding both in herself and design. For example, the story derived from the music could be the sources of visual sign selections in transformation; motion picture could answer to the floating characteristics of music by counterpoint to make unity in visual; and the playfulness could be a supplement to the immature skill during the experiment. For the future reference, the author suggests that starts from the viewpoint of theme or fantasy to discover the visual signs symbolizing music, and the experimental design on non-counterpoint could be good choices for innovative visual performance.

並列關鍵字

Image ； Transformation ； Experimental Design

參考文獻

王桂沰（2007），"相似性聯想於品牌象徵的設計應用─Vivid的品牌象徵設計"。《設計學研究》，10：2，53-71。

張蕙慧（2005），"從情感與形式論蘇珊朗格的音樂本體論"。《新竹學院學報》，20，171-200。

鄔昆如（2004），《哲學概論》。台北：五南圖書。

Stephen Davies（1994）, Musical Meaning and Expression. Cornell University Press.

彭宇勳（1999），"音樂與繪畫類比性之探索─談表現主義之荀白克與孟克"。《美育》，103，1-8。