Between Frank Lloyd Wright’s theory of organic architecture and the view of Nature represented by traditional Chinese garden, there seems to exist a parallel relationship. Therefore this study first deduces their origins and singles out four comparable issues, i.e. ‘Nature’, ‘plan’, ‘responding to local terrain / light / climate’ and ‘borrowing views.’ And then uses these four issues as the framework to examine Wright’s Fallingwater in Pennsylvania and Yung-ts’ui shan-chuang (Embracing Greenery Mountain Villa) in Su-chou, so as to find out their common as well as different characteristics. Finally, using these findings to validate the hypothesis of this study i.e. ‘there exists an intimate relationship between Frank Lloyd Wright’s theory of organic architecture and the view of Nature represented by traditional Chinese garden.’