四方連續應用於紙膠帶圖案設計之創作研究-以台灣民俗節日為主題

The Creative Research in Applying Masking Tape Graphic Design to Square-faced Continuous Pattern:The Theme of Taiwan Folk Festival

陳柚米(YU-MI CHEN)

指導教授 ： 曾培育

朝陽科技大學/設計學院/工業設計系/碩士(2018年)

摘要

2008年具裝飾性的紙膠帶出產後，便漸漸受到關注與喜愛，而受到喜愛的程度不減反增，許多人因為它的圖樣與特性進而購買甚至收藏，許多廠商也爭相出品，也有許多書籍介紹紙膠帶的應用方法，卻鮮少有其設計要素、如何設計的相關內容，如面對如此小面積的設計時應注意什麼…等等，而其中之循環與對花也具有相當多設計上的可能性，於是本研究擬以文獻探討與觀察分析做整理，期望整理出紙膠帶更多設計面的內容以及小型圖案設計要項。
最後以四方連續的表現形式做紙膠帶圖案設計，以及將紙膠帶案例中鮮少使用過之台灣民俗節日做為主題;節日活動與文創產業做結合，能更具文化生命力，於是取節日中的文化元素去融入紙膠帶中，藉以提升大眾對台灣民俗節日之重視與其永續發展的可能性。

關鍵字

紙膠帶 ； 小型圖案 ； 四方連續 ； 台灣民俗節日

並列摘要

After the decorative masking tape produced in 2008, it received attention and favorite gradually, and it increased fast. Many people buy and even collect for its patterns and product features. Manufacturers also compete to produce the masking tape. There are many books that introduce the application method of masking tape, but rarely introduce its design factors or how to design, like what you shouldpay attention to during designing in a small area. Especially the loop and the pattern link have a lot of possibilities of design. Thus, this thesis is expected to be organized by literature review and observation analysis, and looks forward to sort out more design aspects content and small pattern design items of masking tape.
Finally, by using the form in Square-faced continuous pattern make the masking tape graphic design. As well as the theme of Taiwan folk festival. After the festival activities combined with the cultural and creative industries, it can be more cultural vitality. As a result, taking the festival elementsto blend into masking tape patterns can enhance the public's emphasis on Taiwan folk festivals and the possibility of sustainable development.

並列關鍵字

Masking tape ； Small pattern ； Square-faced continuous pattern ； Taiwan folk festival

參考文獻

一、書籍

1.Editions de Paris(2013)，蘇玨萍譯《跟著 MARK’S 玩紙膠帶》，旗標，臺北市。

2.Greg Richards；Robert Palmer (2012)，國立台灣師範大學歐洲文化與觀光研究所譯《文化節慶管理》，桂魯，臺北市。

3.小非(2013)，《一打開就微笑的療癒手帳》，博思智庫，臺北市。

4.大衛．艾瑞David Airey(2015)，吳莉君、邱春煌譯《好LOGO 如何想? 如何做?》，原點，台北市。