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  • 學位論文

感悟來自心對境的瞬息萬變-徐薔彩墨創作論述

Perception comes from the heart's rapid changes towards the surroundings—Tsai-mo Painting Discussion of Qiang Hsu

指導教授 : 張振輝
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摘要


本創作論述是筆者從2012年至2016年的生活體驗中,找尋生命的真實意義及對自己生命內在的探索,並在這段成長學習過程中,從瞬息萬變的當下捕捉稍縱即逝的感受,透過彩墨以抽象表現形式賦予畫布全新的生命力。這些創作中有著筆者個人際遇的心境轉化及表現,同時也將自身心境的變化從一連串的創作中展現,是對生命的感悟亦是記錄,在本創作論述中,筆者透過美學理論釐清自己的創作脈絡。   本創作論述的研究內容: 一、緒論,包含了創作動機、目的、範圍及流程。 二、創作相關學理探討,包含了榮格(Carl Gustv Jung)潛意識(Unconscious)、克羅齊(Benedetto Groce)直覺(Intuition)及抽象藝術(Abstract Art)的美學理論。 三、相關藝術家探討,藉由趙無極與劉國松兩位創作意念與筆者相似的藝術家探討彩墨藝術之精神,並且從中學習。 四、創作媒材與創作解析,透過創作媒材與技法的分析,從外在的形象解析省思內在的意義。 五、結論,總結筆者在本次論述中的學習心得及對自己未來創作上的期許。

關鍵字

抽象藝術 彩墨

並列摘要


This collection of art pieces depicts the artist's experiences of seeking the true meaning of living and inner purpose of life from the year of 2012 to 2016. In this quick period of growing up and learning, I was able to capture the fleeting moments by using color ink abstract painting that gives the pieces a whole new vitality. Within this series of pieces, the artist was able to show my dynamic transformation and manifestation while documenting her changing perception of life. In this thesis, aesthetic theory is used to discuss the vein of the author's creation. This thesis is divided into five components. The introduction includes the motivation, purpose, range, and process about the collection. Second, the relevant academic theories of creation, including Carl Gustv Jung known for unconsciousness and Benedetto Groce known for intuition and abstract art of aesthetic theory are discussed. Third, with the creation concepts of two famous artists, Zao Wou-ki and Liu Guosong, and some other related artists, the spirit of colorful ink art was studied and learned. Fourth, using the analysis on the techniques and material about creation, the inner meaning of reflection is explored by the craft analysis of the external image. Last, the author concludes this thesis with a summary and gives myself future goals about my career.

並列關鍵字

Abstract Art Tsai-mo

參考文獻


中文書目
王源東、莊連東、陳健發、葉宗和(2013)。《台灣當代水墨特殊技法》(初版)。新北市:全華圖書。
李君毅(1996)。《劉國松研究文選》。(初版)。台北市:史博館。
李厚澤(1996)。《美學四講》。(初版)。台北市:三民書局。
李醒塵(1996)。《西方美學史教程》。(初版)。台北市:淑馨。

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