瑟傑.普羅科菲夫是一位二十世紀全方位的俄國音樂家,他的創作承襲了古典的傳統風格,再加上二十世紀的音樂元素,創造出個人獨特的音樂風格,因此在音樂領域中,佔有一席之地。 本詮釋報告是以普羅科菲夫中期所創作的鋼琴奏鳴曲進行為研究對象。其內容可分為四個章節,第一章為緒論,第二章為普羅科菲夫生平概況,第三章為普羅科菲夫鋼琴作品創新技法之探討,第四章則是以簡述Op. 135的創作背景,作品的分析與演奏詮釋探討,在音樂的詮釋上便能更貼近普羅科菲夫所想要表達的音樂語言,掌握作品的精華。最後一節則是以同樣為第五號作品,將Op. 135與Op. 38的版本比較。歸納前四章的重點與筆者的看法及心得做為寫作之結論。
Sergey Prokofiev (1891-1953) is one of the most omnipotent Russian composers in the twentieth century. His musical compositions inherit from the traditional classical style combined with essential musical elements of the twentieth century. Prokofiev creates a unique personal musical language and establishes an important influence in the western music history. The primarily purpose of this paper is to explore Prokofiev’s piano sonatas composed during his middle creating stage. There are four chapters employed. The first chapter is a general introduction to this research. The second chapter examines Prokofiev’s musical life. The third chapter discusses the innovations of his piano compositions in general. The last chapter explores the musical background of Op. 135, with performance practice and interpretation analysis in order to gain a deeper understanding and essence of Prokofiev’s musical language. In addition, the paper also compares the fifth sonata, Op. 135 with his Op. 38. Through the process of researching this project, the paper concludes with the author’s personal viewpoints towards Prokofiev’s piano sonatas.