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  • 學位論文

自然.生命.內省:蘇雅芬創作論述

Nature • Life • Introspection: The Creative Research Programs of Ya-fen Su

指導教授 : 許自貴

摘要


本篇論文共分為五個章節。一、緒論,談論創作起源、動機和目的。二、理論基礎,探討原型理論、生態倫理、母性本能、師法自然、吸引力法則、原始藝術與論文作品的關係。三、表現形式分析,以「自然有機造型」、「自然媒材與技法」、「 材質的純化」來做說明。四、代表作品解析,分析2008年至2011年研究所期間的系列創作,創作分為「蘊」、「緣、圈、寶貝」、「我們的關係並非一直線」、「原生」四個系列。五、結論。 創作源自筆者對自然生態的崇敬。經由懷孕、生育孩子的互動「關係」中,體驗「生命共同體」的微妙關係。以母親角色將對新生命的期待與傳承轉化為生命內省的力量與責任, 探討生命本質。從生態倫理角度擴張母性本能,延伸至人與自然的關係。創作媒材主要使用紙漿 ,結合珊瑚、貝殼、麻繩、自製天然植物染料等自然物或較天然的素材 ,增加作品的原生性,表現樸拙、純真的生命原貌。創作過程中與作品對話激發內心深處生命原型的顯現,在不斷的內省中體認個體與個體、個體與團體乃至整體生態的關係、覺醒人類在自然生態中應有的態度 。所有的生物及非生物環環相扣緊緊聯繫在一起,任何生命都無法單獨生存。 我們應該抱持謙善的態度來面對環境,體認人類與其它物種均是自然的一部份,任何生命都應互相尊重與自然和諧共處。

並列摘要


The thesis is divided into five chapters. The first chapter, introduction. Writing about the origin, motivations and purposes. The second chapter, the theoretical basis of works, which discuss the relationships among prototype theory, ecological ethics, maternal instinct, learn from Nature, the law of attraction, and Primitive art. Chapter III, form of works. Analysis of "natural organic form", "the natural world media and techniques", and "simplistic material" to do that. Chapter IV, analysis of representative works. Analysis of 2008-2011 series created during the Institute. Creation is divided into ”Implication”, “Relation, Circle, Baby” , Our relationship is not a straight line”, “Original”, four series. Chapter V, conclusions. Works derived from the author’s reverence for the Mother Nature. I experienced the subtle relationship of the “Life community”, through pregnancy, childbirth, and the interaction of raising child. Being a mother, the expectations and inheritance of a new life, was transformed into the power of introspection and responsibility. What was used to study the essence of life. Expansion of maternal instinct from the perspective of ecological ethics, which markedly extended to the relationship of man and Nature. By the materials of works, mainly from nature, like paper merch’e, combined with coral, shells, rope, made of natural plant dyes, used to show the simple, innocent, and original essence of life. The deepest inner heart was expressed by dialogue with the works during the process the creation. In the constant introspection, I finally understand that right attitude to face up to the ecology, and the relationship among the individuals, the whole and the ecosystem. Actually, all living and non-living things are linked together closely. Nothing can survive individually. We should hold a humble attitude towards the environment, and realize that humans and other species are the part of nature. Any life should respect each other and live in harmony with Nature.

參考文獻


參考書目
中文書目
1. 李醒塵(1996)。《西方美學史教程》。臺北市:淑馨出版社。
2. 洪如玉(2010)。《邁向生態智慧的教育哲思:—從人類非中心論思考自然與人的關係與教育》。臺北市:國立編譯館。
3. 洪明仕(2010)。《環境生態學》。臺北市:華嘟文化事業有限公司。

被引用紀錄


胡文陽(2009)。中國大陸新勞動合同法對台商投資策略的影響與因應〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2009.00448

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