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  • 學位論文

紮染應用於空間創作初探-以三峽染工坊及周邊環境為例

The research of Tie-Dye skill applying in space creation of Sansia and its Surroundings

指導教授 : 江金榮

摘要


本創作基地位於三峽,三峽藍染產業文化空間的發展記載和傳承了人類文明進步的歷史基因,承載著歷史文脈的價值,一個特定地區因其特有的歷史、文化、自然條件,塑造出其與眾不同的風格,每個地方都具備其獨特性,同樣也擁有其與眾不同的產業文化,並在社會價值體系裡存留時代發展的印記。 依據場所精神本質去探討三峽地域空間環境的特性,包括天、地、人、神的影響。這些與眾不同之處,即是創造產業加值的有利條件,試圖期待一個共生理想中的村落或是都市裡的一個街區發展,透過三峽藍染工坊之改造計畫重新整合、相互依存以中介空間手法將街巷、廊道與圍牆為建築與環境之間聯結要素達到融合希冀以再文化型塑達到校園與社區結合的環境永續經營之目的,嘗試發展的一種地域振興網絡共生效應,以居民自傲的文化傳統與創意整合出的地方魅力,做為未來產業發展的基礎。 創作手法從藍染技法衍生導入空間設計表現以及形式不斷地轉變,試圖突破創新,空間概念論述的研究從紮、染進行藍染實驗研究,過程中進更能清楚的看見空間之形塑之轉換,空間的結構、造型、質感和顏色等等創作元素的融合與突變並發展新思維,從空間概念論述的研究,來呼應藍染的紮/染實驗精神,實驗過程中以達到內與外的交融、歷史與現代的共存、自然與建築的連續,結合地區環境特色、藍染產業文化等資源,創新設計多元化的空間。

並列摘要


The creation work is located in Sansia, which features its blue dye industry development over the course of history. It carries the cultural and historical values. This area is unique due to its special history, culture, natural conditions. Each place enjoys its uniqueness in having different industry cultural and the traces of development through time is kept in the system of society values. From the point of view of spiritual essence, we discuss the features of the space and environment in Sansia, which are influenced by the sky, the earth, human and god. These distinct features give this place advantages by adding values to creation industry. We try to envision a co-living ideal village or a development of a neighborhood in the city and with the recreation project of Sansia’s blue dye workshop, using concepts of intermediary space, we connect the streets, sidewalks and walls in order to achieve co-living standards and in hope of binding campuses and communities in a environmentally sustainable way by cultural remodeling. We try also, to develop a symbiotic local reboosting network as the foundation for future industrial development with the traditions and culture that locals are proud of, integrated with creativity. We use blue-dye methods in space design in an attempt to make creativity breakthrough. The discourse of spatial concepts will be about the research of tie-dye methods in blue-dye, a process where we see more clearly the transition of spatial patterns, the fusion of spatial structure, style, texture and color. We aim to explain the experimental spirit of tie-dye through space concepts discourse analysis and at the same time achieving the fusion of the interior and the exterior, the co-existence of history and the modern, the continuity of nature and buildings with the combination of regional environmental features, the cultural heritage of blue-dye industry and the diversity of creation design.

參考文獻


一、中文文獻
【1】王明義編攥(1993)。三峽鎮鎮誌。三峽鎮公所。
【2】王怡茹(2004)。鳶山下的染坊:清代三峽藍染業發展因素探討,臺灣民俗藝術彙刊,第1期,頁107-120。
【3】王鎰堂、孫全文(和譯)(1983)。空間、時間、建築 (原作者:Siegfried Giedion)。台隆書局。
【4】台灣省文獻委員會(1997)。台北縣鄉土史料。台北市:中正。

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