法蘭西斯．浦朗克《雙簧管奏鳴曲》之樂曲分析與詮釋

本詮釋報告以法國現代作曲家浦朗克（Francis Poulenc, 1899-1963）的雙簧管奏鳴曲為研究對象。　　筆者先從浦朗克所處的二十世紀上半葉法國音樂，與「法國六人組」之間的啟發與影響作為開端，進一步探究生平與音樂創作風格，最後針對本曲的創作動機、背景與作曲手法作深入的分析與詮釋，由於浦朗克熱愛木管樂器，特別為木管創作了一系列的奏鳴曲，而雙簧管奏鳴曲則是浦朗克為木管所寫的最後一首奏鳴曲，此曲不論在樂章中的安排或是和聲的運用，皆有許多聲響上的刺激與不同之處，並同時展現了雙簧管淒涼與優美的特殊音色。　　本詮釋報告以浦朗克的雙簧管奏鳴曲作為研究主題，全文分成六個章節，第一章：緒論，分別為研究動機、研究目的、研究方法與步驟；第二章：二十世紀法國音樂與浦朗克法國六人組，分別為二十世紀上半葉法國音樂、法國六人組之音樂風格與新古典主義；第三章：浦朗克之生平及音樂創作風格，分別為浦朗克生平概述與浦朗克的音樂風格特色；第四章浦朗克雙簧管奏鳴曲樂曲分析，分別為浦朗克雙簧管奏鳴曲創作背景與每個樂章的分析；第五章為浦朗克雙簧管奏鳴曲樂曲詮釋；最後第六章則是全文的總結。

關鍵字

普朗克；廖羽柔；雙簧管

並列摘要

This is a descriptive thesis about Sonata for Oboe and Piano of the French modern composer Francis Poulenc (1899-1963). During the early part of the twentieth century, several composer groups banded together for French music, of which “Les Six” influenced Francis Poulenc’s musical works. In addition, musicians shared their compositional traits, while developing a particular style of French music. This thesis focuses on the motivation and historical background of this composition and technique issues in order to explore and analyze the interpretation of Poulenc’s oboe sonata. Due to the enthusiasm toward woodwind instruments, Francis Poulenc wrote a serial of woodwind sonatas. Sonata for Oboe and Piano FP. 185, is the last of Poulenc’s sonatas for woodwind and piano and is a special arrangement between movements. The movements are in the order of slow-fast-slow as opposed to fast-slow-fast of a traditional sonata. In addition, the sounds have a different reflection compared to oboe pieces in the past. They present the sound of sorrow and elegance as well as some special voices of the oboe. This thesis includes six chapters. The first chapter is an introduction for the motivation, background, and purpose of The Sonata for Oboe and Piano. The second chapter looks into the historical background of twentieth-century French music, as well as the “Les Six” and the neo-classical or neoclassical music, which influenced the new music style and the new traits. The third chapter offers the life-time frame and the compositional style of Francis Poulenc. The fourth chapter analyzes Sonata for Oboe and Piano. The fifth chapter is an interpretation and my own guideline from a performance. The last chapter is a review and conclusion of Sonata for Oboe and Piano. This thesis is expected to help future students creating their similar music.