- 學位論文
孟德爾頌鋼琴幻想曲作品二十八之樂曲風格與演奏詮釋探討
A Study of Performance Interpretation on “Fantasie, Op.28” for piano by Felix Mendelssohn
摘要
菲利克斯‧孟德爾頌 (Felix Mendelssohn, 1809-1847)為浪漫時期重要的作曲家之一，他出生於富裕的家庭，從小即接受繪畫、文學、作曲等良好的教育使得他的音樂作品裡透露出濃厚又豐富的想像力，音樂充滿著明亮、優雅的氣息。 孟德爾頌的《升 F 小調幻想曲作品 28》(Fantasie in F-sharp Minor, Op.28)完成於 1833 年，是孟德爾頌在 1829 年前往蘇格蘭時受到當地風景所感動而寫下的作品。這首樂曲共有三個樂章，孟德爾頌利用旋律、動機、和聲、節奏等素材去描繪不同的景色。 本論文的研究方向分為六個章節：第一章的緒論，說明研究的動機與目的，以及研究的範圍和方法。第二章簡述孟德爾頌的生平與音樂創作風格。第三章介紹幻想曲之歷史發展與時期風格特色。第四章將孟德爾頌幻想曲做詳細的樂曲分析。第五章針對孟德爾頌幻想曲做演奏詮釋。第六章為結論，整理以上的論述並簡述孟德爾頌的貢獻和成就。
並列摘要
Felix Mendelssohn is one of the most important composers in the Romantic Period. He was born in an affluent family. Being a child, he started to receive education in fine art, literature, and music composition which made his musical work abundant, bright and elegant with colorful imagination. Fantasy in F-sharp Minor, Op.28, had been composed in 1833. Mendelssohn was inspired by the landscape while he was traveling to Scotland in 1829. There are three movements in this piece. Mendelssohn makes use of melody, motive, chord, rhythm to depict different kinds of landscapes. This thesis includes six chapters. The first chapter expounds the cause, purpose, range and method of the study. The second chapter summarizes Mendelssohn’s biography and his musical style. The third chapter introduces the origin and the style changes in fantasy. The fourth chapter relates to detailed description of this Fantasy. The fifth chapter presents the interpretation of musical performance. The final conclusion chapter organizes the above discourse with brief description of Mendelssohn’s contribution and attainment.