摘要
摘 要 本論述共分為五個章節，茲將各章節之內容簡述如下：一、緒論，談論創作的起源與記憶形式的探索。二、理論基礎，探討自然美學、抽象表現、勞生柏格的影響、幻覺說、愛麗絲夢遊症候群與論述的相關性。 三、表現形式的探討，自然材質的選擇、生態保育的概念、空間向度、滴流的線條、抽象技法運用、木工處理技術、善用回收物創作。四、代表作品解析，從對自然的嚮往引述創作的脈絡，用漂泊幻想的思維構築，結合造形、色彩、意涵做分析說明。五、結論。 作品分為五個系列，《漂流木之歌》、《形惑》、《循環》、《心門》、《停留》，從自然生態的啟發，進而運用旅行者與漂鳥的視覺角度，在人生旅途中汲取一些印象作為創作思維，藉由作品探索天地循環的道理，尊重生命的可貴，並且研究自然材料的屬性進行創作，也把長久以來壓抑在最深層的渴望浮出表層，將內心意涵以抽象的形式呈現。作品模擬生物的形態賦予擬人化的思想，用幻想的手法對漂泊的定義多些遐想，在創作的過程中遵循自然曲調，結合複合媒材塑形，實驗視覺的美感，達到創作時的心靈滿足。 材質上使用漂流木、紙漿、油彩、回收物、陶土、鐵材做為立體空間的造形，對木材情有獨鍾，也利用複合材料拼貼，堆疊色彩，實驗平面繪畫的層次感。系列作品所訴求的是生命旅程的省思，對自然環境多些關懷與憐憫，並且珍惜資源，在研究探索中傾聽最真實的自我意象。 關鍵字：漂流木、紙漿、回收物、循環、生命旅程
並列摘要
ABSTRACT This thesis contents five chapters, the content of which is summarized as follows: First, the introduction which discusses the origin of creation and exploration of memory form. Second, theory basis that discusses the aesthetics of nature, abstract expression, the influence of Robert Rauschenberg, illusionism, Alice in Wonderland syndrome in relation to the thesis. Third, discussion of form of expression, selection of natural material, concepts of ecological preservation, spatial dimension, ink lines, the application of abstract techniques, carpentry techniques, and utilization of recyclable material in creations. Fourth is an analysis of representative works, starting by introducing the origin of creation through a longing for nature, using the thought structure of roaming illusions combined with form, color, and significance in the analytical explanation. Fifth, conclusion. The series of works include five themes : Song of the Driftwood, Form Confusion, Cycle, Gate to the Heart, and Remain. Inspirations from natural ecology, in addition to visual perspectives from travelers and stray birds are utilized to extract images in life’s journey as inspiration for creation. The cycle of land and sky are explored through these pieces, as well as a respect for life’s value. Creations are made after studying the traits of natural materials, bringing deepest desires out from long term suppression up to the surface to convey these internal ideas in abstract form. The pieces stimulate life forms and are given anthropomorphic ideations, using the technique of illusion to muse upon the definition of straying. Natural curves and lines are followed in the creative process, combined with shapes sculpted from mixed media. This tries visual aesthetics and achieves spiritual satisfaction during creation. In terms of materials, driftwood, paper pulp, oil paints, recyclables materials, pottery clay, and iron are used to Three-dimensional space form. There is a marked affection for wood materials, as well as pastiches of mixed media, stacked colors, and layering in experimental graphic drawings. The goal of the collections is to explore life’s journey, inspire more care and empathy for the natural environment, and cherish resources while listening to the most real self-imagery in research and exploration. Keywords : driftwood, paper pulp, recyclable materials, cycle, life journey