人間拾情

Love in the World

楊翠華(Tsui-hua Yang)

指導教授 ： 許自貴

台南應用科技大學/藝術學院/美術系碩士班/碩士(2013年)

摘要

從事藝術創作者首要的是打開自己的心界、眼界，多看美的事物，在自然、真實的人生中用心生活著，配合細心深入的觀察，經過學習、分析、比較、理解、吸收等過程建立美學與創作的基礎。繪畫創作時以思想、內涵為依據，意境的表現為重心，真誠的表達出屬於內在的抽象思維。在繪畫世界裡，筆者創作的初衷是想將屬於人世間美好的情境與愛意，藉由寫實油畫風格，將現實生活的美加以詮釋，創作出看似源自於生活而又高於生活的藝術創作，用樸實自然的方式去呈現平凡卻深邃真實的愛。
本創作論述是筆者針對二○○三至二○一三年期間作品的文字論述，撰寫內容架構共分五個章節。第一章緒論，是探討筆者走入繪畫世界的創作背景、創作動機、創作歷程、創作理念。第二章學理基礎，討論存在主義、榮格分析心理學、托爾斯泰傳達論與影響自己的藝術家。第三章內容形式探究，分析作品的內容、形式、時空與方法、技巧探討。第四章代表作品解析，對有關親情系列作品的詮釋及分析。第五章結論，針對本創作論述作綜合性的總結，提出對當前創作的檢討與未來發展的省思。論述當中涵蓋筆者對人生的體悟，情感的思維，靜思反觀的感悟，經由繪畫作品傳達對自然與生命的濃郁情懷，文中有對人性中愛的體認，更有對藝術恆久不變的追尋，透過繪畫創作過程圓融、昇華生命中的自我。

關鍵字

抽象的思維、寫實油畫、愛、人性、自我

並列摘要

As an artist, the first thing is to open up one’s mind and eyes to see more beautiful things and live life as attentively as possible. With insightful observation and the processes of learning, analysis, comparison, reasoning and absorption, the foundation of aesthetics and creation are hence established. The creator bases her creation on thoughts and virtues and takes the expression of artistic conception as the focus of her works then sincerely expresses the abstract inner meanings in the canvas. In the realm of painting, the creator’s original intention was to express human society’s beautiful moments and love with the style of realistic oil painting to reflect and interpret the beauty of daily life. It seems to be that these creations were originated from daily life but the presentation has actually gone beyond the boundary of daily simple life so that delivers an ordinary but profound love in a simple and natural style.

The discourse covers the statement of the creator’s works between 2003 and 2013 and is divided into five chapters. Chapter One is thepreface which covers the creator’s background, motivation of creation, journey of creation and idea of creation. Chapter Two provides a theoretical foundation which explores existentialism, analytical psychology of Jung, Tolstoy’s Communication Theory of Art and some artists who greatly influenced the creator. Chapter Three covers the exploration of styles and analysis of the art works, style, space-time, and technics. Chapter Four covers art works’ analysis which makes further statement on the interpretation and analysis of family series creation. Chapter Five is the conclusion which makes a comprehensive summary based on synthetic discourse of the creation and proposes review for the introspection of future development. The discourse covers the author’s contemplation toward life, sentimental thinking, comprehension after self-examination and contemplation. These paintings deliver the message of the creator’s strong feelings toward nature and life, personal understanding about love from human nature as well as the eternal pursuit of art. Through the creation of art, the creator herself has been harmonized and elevated.

並列關鍵字

Abstract thinking, realistic oil painting, love, human nature, self

參考文獻

中文書目

1.王受之 (2001)。《世界現代美術發展》。台北市：藝術家出版。

2.王邦雄 (2011)。《老子十二講》。台北市：遠流出版社。

3.申荷勇 (2004)。《心理分析入門 -我的理解與體驗》。台北市：心靈工坊出版。

4.李自健 (2004)。《李自健.藝術人生作品集》。台北市：典藏藝術家出版。