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  • 學位論文

「歸圓」-尋向完美句點

"Simple and unadorned"-Finding the perfect

指導教授 : 鍾曉梅
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摘要


本論述以「歸圓」-尋向完美句點」為題,記述筆者2010年至2015年就讀研究所的創作歷程,全文分為五章。 第一章、前言,探討筆者的生命經驗對創作的影響。第二章、學理基礎,經由哲學家卡爾•古斯塔夫•榮格(Carl Gustav Jung,1875—1961)的論點與藝術家的作品去深究學理與創作之間的關係。第三章、內容形式之探究,分析作品的內容、形式、技法與材料的運用方式。第四章、代表作品之分析,創作理念和意涵的分析與說明。第五章、結語,總結前四章的內容,並思考與檢討未來的發展方向。 作品包含立體、浮雕與裝置且分為十個系列:〈淺嚐〉、〈形色和鳴〉、〈陶喜〉、〈聚〉、〈衍〉、〈喜從天降〉、〈行雲〉、〈重生〉、〈歸圓〉、〈圓溶〉。其中,以陶為主,結合複合媒材,並以裝置為輔呈現,讓陶藝擺脫厚重感,展現另類視覺效果。 筆者自忖:人生始於零,無論遭遇若何,期能航向圓滿之歸途。故屢遭命運乖舛之際,仍以樂觀面對人生之拂逆。此刻,內心所思:凡一朝和暢之景氣,一頓佳餚,一趟愉悅之旅…,皆令人感到:紛擾之世,仍存片刻之美。因為極度的悲觀,反撲而來的竟是異常的樂觀!在雙重人格的影響之下,作品兼具美麗與哀愁之矛盾情緒,企盼經由論述書寫與作品分析,重新了解並定位自我。

並列摘要


The article to "Simple and Unadorned" – finding the perfect in the title, the author describes 2010-2015 creative process, paper is divided into five chapters. The first chapter, preface, the author explored the effect of life experience on the creation . The second chapter, theoretical foundation, through the views of the philosopher Carl Gustav Jung (1875-1961) and the works of artists to study the relationship between theoretical and creation. The third chapter, content and form of inquiry, analysis for content and form of works, the way of using techniques and materials. The fourth chapter, analyses of representative works, the analysis and explanation of creative ideas . The fifth chapter, the conclusion, summarized the contents of four chapters before, and thinking about the future direction. Work contains three-dimension, relief and installation and is divided into ten series: ,

, , , , , , < Simple and Unadorned > . Among them, pottery, combined with a composite material, and presentation with installation, making pottery rid of heaviness, showing an alternative visual effects. I thought : life begins with a zero, whatever we experience on the way, we expect to find the perfect. Therefore, when the fate comes to see me every time, I still keep optimistic in the face of it. At the moment, I think: a beautiful day, a tasty meal , or pleasure trips ... , will make me feel: there is still a moment of beauty in the chaotic world. Due to extreme pessimism, the counterattack was the actual optimism! Under the influence of dual personality, works consist of beauty and sadness in ambivalence, hoping to understand and re-positioning myself through discourse and analysis of works

參考文獻


中文書目
1. 陶青山(1984)。陶藝入門。台北市;武陵出版社。
2. 陶青山(1984)。陶藝的傳統技法。台北市;武陵出版社。
3. 魯道夫(2007)。占星全書。台北市;春光出版社。
4. 李醒塵(1996)。西方美術教程。台北市;淑馨出版社。

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