疤痕與面容的記憶

The Memories of Scars and Visages

詹斯晴(S- ching Jan)

指導教授 ： 曾俊義

台南應用科技大學/藝術學院/美術研究所/碩士(2008年)

摘要

疤痕與面容的記憶

研究生：詹斯晴 指導教授：曾俊義

台南科技大學美術研究所
中文摘要
本創作在於藉由探討皮膚上的疤痕意象作為聯繫點，提出身體記憶（痛感記憶）之可能性，並以傷口的痛感作為媒介，引伸出疤痕與面容相關的記憶之創作，藉此表現出一種真實之記憶呈現，並以平面影像與立體雕塑結合裝置，創造出自我對身體意識的認同。把身體的經驗連結成種種記憶和感受，是人類身體的一種真實體驗。在這些瑣碎細節中，疤痕以類似接近於肉身的經驗連繫，變成真實的存在感並儲藏於身體狀態中。
在個人創作的主軸延伸下，其背後的形式包括我的記憶、解讀、想像和疤痕記憶相關的創作方式因而有所不同。因此在創作中身體、疤痕、臉孔表情就成為我相關創作的中介方式。影像的陳列就如同記憶的再現，在展演的形式上著重在影像與多媒材運用，希翼能以真實的呈現出視覺心理與空間之結合。且將個人意識以疤痕意象聯繫，藉由疤痕痛感結合臉部的表情衍生出系列作品，正如以疤痕來呈現身體各部位的存在意義與身體的記憶一般，同時也是身體與時間性的具體表現。對我來說，疤痕之創作即為一種身體與空間的創作。

關鍵字

疤痕 ； 面容 ； 記憶

並列摘要

The Memories of Scars and Visages

Graduate：Jan,S- ching Advisors：Tseng,Chun-yi

Graduate Institute of Fine Art
Tainan University of Technology
ABSTRACT
This creation aims to explore the scar image in the skin as a connection point to propose the possibility of body memory (pain memory) which uses pain of wound as medium to further enable creation of memories with regard to scar and facial features, in which it intends to represent a true memory with graphic images and 3D statue that combined with device to create self-identity on body consciousness. Using physical experiences to connect with many memories is a true experience to human body, with scars connect with similar to body experiences among these trial details to enable a true feeling of existence and store in body.
Being extended from personal creation, related creation patterns will subject to my memory, interpretation, imagination and scar memory. Therefore, body, scar, facial expression have become my intermediary approaches of my related creations. Image display is just like reappearance of memory, with playing manner focused on image and multimedia material utilization which expects to truly demonstrate combination of visual psychology and space, and connect personal consciousness with scar image to derive series work by combining scar pain with facial expression. Just like scars to demonstrate the meaning of existence of various parts of body and body memory, which also a tangible demonstration of body and time. To me, creation of scar means a kind of creation of body and space.

並列關鍵字

scar ； facial ； memory

參考文獻

中文書目

1. 曾曬淑（2004）。身體變化:西方藝術中身體的概念和意象。台北:南天。

2. 葉錦添（2002）。繁花：美學.散文.作品集。台北：天下遠見。

3. 劉思量(1992)。藝術心裡學。台北：藝術家。

4. 潘東波(2002)。20世紀美術全覽。台北:相對論。