貝多芬小提琴奏鳴曲第四號op. 23之研究與演奏詮釋

本論文主要探討貝多芬第四號小提琴奏鳴曲。該曲誕生在貝多芬音樂創作之轉型時期，具有承先啟後的意義。本文由分析貝多芬早期的創作手法及風格切入，進一步針對此曲之和聲、力度、架構等，提出樂曲分析，藉以深入探究該作品。從此作品中，可以體會到貝多芬在當時面臨耳疾之痛苦，以及當時內心充滿鬱悶的心情。本文在樂曲分析部分，對三個樂章分別分析其和聲、曲式、架構、樂句及樂段等。最後在演奏詮釋部分，著重分析貝多芬之性格與其創作手法，風格之關係，以及該曲中，小提琴與鋼琴之間的平衡、對比關係。

關鍵字

貝多芬；小提琴；奏鳴曲；樂曲詮釋

並列摘要

The present thesis sets out to discuss for Beethoven violin sonata no. 4.The sonata, born in the period of transformation of Beethoven’s composition, has its role of both carrying on the past heritage and opening up the future. By investigating the early creative techniques and style of Beethoven’s composition, this thesis articulates on the song analysis, and on the harmony, dynamics, and structure parts. Generally speaking, readers and performers should feel the somber emotion and thoughts when he faced the pain of his vigorous ears. Specifically, the present thesis analyses for the harmony , music forms, structure , phrases, and sections of the three movements. In the Section of Performance Interpretation , this thesis focuses on the relationship between Beethoven’s personality and the creative techniques and styles. Moreover, the balance and contrast between violin and piano in the Sonata.