一種維持和平的行進

本研究源自創作經驗的省思，以及滿足個人在創作過程裡所展現之真實樣貌的追求，藉由相關學術理論與文獻資料的閱讀研究，審視自我創作的發展脈絡並深入探討與闡述，建立個人創作論述之架構。藝術創作是生命本質的實踐，所呈現的是創作者的情感、知覺、想像、記憶等的意識內容，因此創作可視為主體精神意識的表達方式，而若將個人的創作形式與內容經由理解、分析之後，再藉由文字的詮釋說明，這種過程便可成為一種觀看自我的方法。本文所欲論述的內容從創作經驗的回溯中出發，反思混沌、矛盾的狀態，以現代西方美學、藝術心理學等相關的文化與藝術研究理論作為指引，思考自我的創作形式與內容，探究個人的內在心理如何經由移情作用而將精神意識投射於外，並且指認主體潛在於創作中的樣貌。

關鍵字

意識；觀看自我；移情作用

並列摘要

This study derived from the reflections and satisfied the search of real individual manifestation during the progress of creating experiences. Based on the study of related theory and documentary, to build the construct of self-creation theory to investigate and to examine the development context. Art creation is a practice of life essential. It presents the creator’s emotion, perception, imagination and memory. Thus creating regards as an expression of subject’s spiritual consciousness. To understand and analyze the form of individual creating and articulate with words, this method is a way of self-introspection. This context begins with the retrospection of self-creating experiences, and reflects the condition of self-chaos and contradictory. Guiding by the theory of contemporary western aesthetics, art psychology and related cultural and art theory, to think about self-creating position and to inquisite how individual psychology project the spiritual consciousness by empathy in order to recognize the subject’s potential manifestation during creating.