台語藝術歌曲發展初探-以林福裕為例

本研究歸納出台語藝術歌曲的發展以及其所表現出的文化情感與創作背景，並以林福裕先生（1931－2004）及其作品為例。歸納台語藝術歌曲的發展歷史，從早期的通俗歌謠，經過殖民時期的文化衝擊，後來由旅外留學回國的音樂家們融合本土題材與西洋和聲進行創作，最後形成台語藝術歌曲。以表格方式歸納林福裕先生的生平及作品，他的台語藝術歌曲作品多完成於中晚年（1976－1996）。文中就每首歌曲分析台語的語韻、聲調與樂句的關係，不論是唸謠或藝術歌曲，皆常見到旋律近似歌詞聲調的現象，由此可知，台語八聲的聲調在音符上適度的延伸就可成為旋律。最後進一步分析林福裕先生的五首台語藝術歌曲的詮釋、歌詞及樂思，歸納出他在台語語韻及聲調進行創作時，運用狀聲詞強調歌曲情感的特色。

關鍵字

台語藝術歌曲；語韻；聲調

並列摘要

The study induces the development of Taiwanese art songs, the cultural sentiment and the background of creation by taking the works of Lin Fu-Yu (1931-2004) as examples. The study talks about the development of Taiwanese art songs, which were created by musicians who studied abroad. Those musicians suffered from cultural shock during the colonial period. They combined local elements and western chorus to create, thus made those art songs. The study mentions the life of Lin Fu-Yu. Most of his works were created at his old age (1976-1996), and were admired in the academia. The study also analyzes Taiwanese prosody, tones and the relationship between them. Rhythm and tone are often relevant in both rhyming folksongs and art songs. This is because the eight different tones can be extended to the melody. In the end, the study analyzes the representation, lyrics and scores of five of Lin Fu-Yu’s works. He is good at creating with Taiwanese prosody and tones, and using onomatopoeia to emphasize the sentiment of songs.