本論文以貝多芬E大調鋼琴奏鳴曲作品109為研究主題,共分為五章,三個部份來探討。 第一部份,先瞭解貝多芬的生平及創作背景,再探討貝多芬鋼琴奏鳴曲各時期之風格特色、鋼琴革新對貝多芬作品的影響。第二部份,正式進入作品109之探討,首先對其創作背景做深入的了解,再逐一探討各樂章的曲式、創作手法和演奏詮釋。第三部份則是鋼琴奏鳴曲作品109之速度、力度、和絃及轉調運用等音樂語彙分析探究。最後以此首奏鳴曲之研究心得,闡述貝多芬在鋼琴音樂史上,為古典樂派和浪漫樂派承先啟後的地位。
This thesis focuses on Ludwig van Beethoven’s piano sonata Op.109. It consists of five chapters and is divided into three sections for further exploration. The first section introduces Beethoven’s biography, discovering Beethoven’s background of creation, and exploring feature and characteristic of each sonatas period in Beethoven’s chronolgy. The second section, the in-depth study on Op.109, first discusses the background of works, next confer the form of musical movement, the artistic techniques and performing expressions. The third section investigates the glossary of piano sonata Op.109, e.g. speed, dynamics, chords and the modulation of music. The final chapter demonstrates the author’s perspectives on Beethoven’s historical role, which informs itself as the bridge between the Classical and Romatic periods.