斯卡拉第六首鍵盤奏鳴曲研究

A Study of Domenico Scarlatti’s Six Keyboard Sonatas

黃紫萍(Tzu-Ping Huang)

指導教授 ： 吳雅婷

台南應用科技大學/藝術學院/音樂研究所/碩士(2009年)

摘要

斯卡拉第畢生所寫作的五百多首鍵盤奏鳴曲，在其藝術創作生涯中佔有著舉足輕重的地位，而作品中極具豐富的創意，對於日後整個鍵盤音樂史的發展，更是有著深遠的影響。
斯卡拉第擔任葡萄牙公主瑪麗亞‧芭芭拉的鍵盤教師，為指導公主彈奏而創作多量的鍵盤作品；一七二八年，公主下嫁於西班牙王子，斯卡拉第也隨同前往西班牙居住。然而，儘管是義大利人的斯卡拉第，在生活環境無形的薰陶之下，也使得他的音樂風格自然植入鮮明、濃厚的西班牙民族色彩，無論是在和聲或技巧上的運用，皆展現出獨特的音樂風貌，也為當時的鍵盤音樂拓展新視野。
本文將介紹斯卡拉第一生的際遇與成長背景，從而進一步探討作曲家在鍵盤領域的創作風格與技法，並透過六首鍵盤作品完整的樂曲分析，更瞭解其中究竟，進而提出個人的演奏詮釋與見解。

關鍵字

斯卡拉第 ； 鍵盤奏鳴曲

並列摘要

More than five hundred keyboard sonatas composed by Domenico Scarlatti during his whole life played a decisive role in his artistic creation career, and the originality of the compositions has profound influence in the development of the keyboard music history later on.
Scarlatti took on a position as a keyboard teacher of Portugal princess, Maria Barbara, and composed a large quantity of keyboard compositions for instructing. In 1728, the princess moved to live in Spain as she married with Spanish prince, and Scarlatti was accompanied by the princess. In spite of being an Italian, Scarlatti was influenced gradually with the life in Spain and then integrated the national characteristic of Spanish into his music style spontaneously. He presented a unique music style both in application of harmony and technique performance, and also explored the new field in keyboard music then.
In this study, it will present the background and experience of Scarlatti’s lifetime so as to explore the composer’s creative style and skill in field of keyboard, guide to comprehend the inner implications of the compositions through analyzing six keyboard compositions completely, and finally, express my interpretation and opinions at the end of the study.

並列關鍵字

Scarlatti ； keyboard sonatas

參考文獻

一、中文書目

于青（2005）。幻想、精巧、自由―斯卡拉蒂“如歌的”奏鳴曲研究。

音樂藝術，3，50-62。

朱雅芬（2000）。斯卡拉蒂的古鋼琴奏鳴曲。鋼琴藝術，4，40-43。

朱象泰（2001）。史卡拉第奏鳴曲研究（二版）。台北縣：大呂出版社。