多尼才悌歌劇《拉梅默的露琪亞》「瘋狂場景」之分析與演唱詮釋

The Analysis and Vocal Interpretation of the “Mad scene” in Donizetti’s Opera“Lucia di Lammermoor”

甘芳嫙(Fang-Hsuan Kan)

指導教授 ： 曹圓

台南應用科技大學/藝術學院/音樂研究所/碩士(2009年)

摘要

多尼才悌（Giaetano Donizetti）之歌劇《拉梅墨的露琪亞》（Lucia di Lammer-
moor）是十九世紀的義大利浪漫派歌劇典型，為以悲劇收場的「莊歌劇」（Opera Seria）形式，其第三幕的「瘋狂場景」（Mad Scene）是「華彩女高音」（Coloratura Soprano）之經典曲目，研究者以此為題研究「美聲唱法」（Bel Canto）之技巧，共歸納出十種。
「瘋狂場景」是「場景與詠唱調」（Scena ed Aria）的典型，緊接「跑馬歌」（Cabaletta），共分成十六段做分析與演唱詮釋之研究。二十世紀中期著名華彩女高音卡拉絲（Callas）重啟義大利美聲歌劇的演唱之風，蘇莎蘭（Sutherland）、葛貝洛娃（Gruberova）、周淑美（Sumi Jo）等著名女高音亦繼而推廣之，最後則為她們的「瘋狂場景」演唱風格之比較。她們在華彩裝飾音的運用，不但能給予研究者提供歌唱技巧的純熟，同時在未來教學上，也能夠有所運用，對於同樣有興趣研究的人，能夠給予幫助。

關鍵字

多尼才悌；拉梅墨的露琪亞；莊歌劇；瘋狂場景；美聲唱法

並列摘要

Drama Lucia di Lammermoor of Giaetano Donizetti is the classical genre of the nineteenth century Italian romance drama and it is ended with the tragedy episode in a format of Opera Seria. Within the work, the third scene Mad Scene is the classical repertoire of Coloratura Soprano. In order to study and exam the techniques of Bel Canto, the author categorizes and elaborates ten different ways of singing in her dissertation, being based on this feature.
Mad Scene is a stereotype of Scena ed Aria, immediately following by Cabaletta, which is dissected into sixteen parts by the author in efforts to research, analyze and interpret its ways of performance. Callas , the famous Coloratura Soprano of mid-twentieth century, revived the Italian style of Bel Canto and with the ensuing contribution of Sopranos as Sutherland, Gruberova, Sumi Jo, this genre of singing prevails.
Then, in the end, the author compares their respective styles of delivering Mad Scene. Their application of Coloratura elaborated tunes not only presents the maturity of singing skills but provides assistance to whoever is interested in this field and suggestions to promising teachers as well.

並列關鍵字

Donizetti；Lucia di Lammermoor；Opera Seria； Mad Scene；Bel Canto

參考文獻

【外文書籍】

Holden, Amanda (1996), The Viking Opera Guide, London : Penguin Books.

Sadie, Stanley ed. (2001). The New Grove Dictionary of Music and Musicians 4, 22. Second edition. New York : Macmillan Publishers Ltd.

Sadie, Stanley (1992). The New Grove Dictionary of Opera.。London: Macmillan Publishers Ltd.

Celletti, Rudolfo. (1991). A History of Bel Canto. (Translated by Frederick Fuller). New York: Oxford University Press.