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  • 學位論文

貝多芬C小調鋼琴奏鳴曲作品十三《悲愴》之研究與演奏詮釋

An Analysis and Interpretation of Ludwig van Beethoven’s Piano Sonata in C Minor, Opus 13

指導教授 : 楊楠

摘要


貝多芬(Ludwig van Beethoven,1770-1827)一生中創造了無數重要作品,如室內樂、管弦樂和交響樂。其中以三十二首鋼琴奏鳴曲為鋼琴最重要的作品,對日後的鋼琴作品及鋼琴演奏技巧影響深遠。 本論文研究貝多芬《C小調悲愴鋼琴奏鳴曲作品13》為主題,共分四個章節、三個部分來探討。第一章為緒論,包含研究動機與目的和研究方法,說明研究方向。第二章為貝多芬的生平與作曲風格,針對貝多芬的創作手法及其作品結構做深入的探討。第三章講解《C小調悲愴鋼琴奏鳴曲作品13》的創作背景、樂曲分析,針對三個樂章的曲式、和聲做整體分析,並說明表情、力度與彈奏技巧,做完整的詮釋。第四章為結論。將以上研究做整理及歸納,並提出心得。

並列摘要


Ludwig van Beethoven had created countless masterpieces throughout his life, such as chamber music, orchestral works, symphonies etc. Among his works, “32 Piano Sonata” is the most important works in piano works, direct impact on later piano works and performing skills. This thesis is divided into 4 chapters. Chapter 1 introduces the framework and trace of the research in terms of the following two sections research motivation also project scope. Chapter 2 devotes in Beethoven’s musical career and his works, categorizing them into three sections according to early, middle and later period. Chapter 3 is the theoretical analysis and musical interpretation, including background and analysis of the three movements. Chapter 4 is conclusion of the compositional style for the work by integrating the result obtained in the previous chapters with commentary.

參考文獻


一、中文部分:
音樂之友社(編) (2003)。林勝儀(譯)。新訂標準音樂辭典。台北:美樂出版。
康謳(編) (2002)。大陸音樂辭典。台北:全音出版。
2.書籍:
王穎(著) (1988)。貝多芬鋼琴奏鳴曲詳譯(一)。台北:全音出版。

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