本創作論述以作者本身的創作為主要分析重點:分別從第一章的創作動機、背景、歷程與目的為開頭。第二章則提出「自我存在」、「創作意識」、「社會互動」與「符號與象徵」等主題來支撐其創作理念,也加入了沙特(Jean P. Sartre, 1905~1980)、胡塞爾(Edmund Gustav Albrecht Husserl,1859 ~1938)、舒茲 (Alfred Schutz,1889~1959)、顧里(C. H. Cooley 1864 ~1929)、米德(George Hebert Mead,1863~1931)、索緒爾(Ferdinand de Saussure,1857~1913)等人的學說進行分析探討。 作品理念主要是以和生活接觸互動下所產生的關聯作為出發點,為了記錄每一個當下,因此我從最親密的周遭人物為主要的描寫對象,經過相處後在內心產生的印象裡,以數字、抽象形體等符號為來象徵其暗喻。在這畫面的創作空間中,呈現我心中對親情與友情間的感知,正是因為這樣的思維產生,這才讓人了解到自身的存在,以及他人與自身的存在關係。
This study is explained based on the author’s work of creation. The first chapter is concerning the motivation of creation, background, process, and objectives, while the second chapter is concerning the belief behind the creation such as self-being, creation consciousness, social interaction, and signs and symbols. Moreover, this study introduces the theories of Jean P. Sartre (1905~1980), Edmund Gustav Albrecht Husserl (1859~1938), Alfred Schutz (1889~1959), C. H. Cooley (1864 ~1929), George Hebert Mead (1863~1931), and Ferdinand de Saussure (1857~1913) to analyze the creation. The belief behind the creation is the relationship developed by interacting with the author’s interpersonal network in daily life. In order to keep records of every moment, the author intends to identify each impression generated in her interaction with close people as signs like numbers and abstract forms to symbolize the suggestion. In other words, this creation shows how the author perceives family relationship and friendship and understands the concept of self-being and the relationships linking others and the self together.