張愛玲典藏全集之色彩語言

色彩被語言作為載體的同時，亦表述著時間脈絡以及文化表徵。意謂著同步現象的解釋與詮釋，乃是色彩本身具有語言與非語言兩面之傳達特性，針對於此特性本研究嘗試建構《張愛玲典藏全集》文學色彩之色域概念。本研究設計旨在探析色彩與現實存在於世界中重要的交互關係，將廣義的概念闡述《張愛玲典藏全集》，採用內容分析法探查其色彩符號意涵以瞭解張氏作品色彩表現特殊性，試圖彰顯《張愛玲典藏全集》之色彩語言價值。其研究設計分為二階段：探索色彩表現的運用與範圍、剖析色彩表現的應用與模式。整合各階段之分析結論，得知《張愛玲典藏全集》運用紅色、黑色、白色等三色為作品用色。其八冊之主要色彩表現與作品體裁類型，進行色彩符號的分析：發現1947年與1948年為用色分界：白色表現為1947年前期作品用色傾向；紅色表現為1948年後期作品之用色傾向。三種體裁類型各自象徵色彩為，長篇小說是紅色、短篇小說是白色與紅色、散文是白色。而在顏色的意義裡：長篇小說紅色的基調為性格鮮明，且具有嫉妒的存在，是有著非常強硬的愛恨情感。短篇小說白色基調、紅色為副色，是為性格充沛；且具有記錄的存在性，是屬於非常惱人的繁華情感。散文是白色為性格中庸，且具有樸實的存在，有著非常親切熟悉的情感。經由色彩的研究角度詮釋《張愛玲典藏全集》的色彩詞彙，得知張愛玲偏向使用紅色來作為作品的主色調。所使用的色彩與她所處的時空背景是有著密切的關聯性，且能反映出時局變遷以及張氏本身對於色彩的敏銳。亦可瞭解色彩對於人所產生深不可測的情感作用，若欲指色彩是對人傳達意識的情報，亦或可解讀成人類的自由心智是賦予色彩的多層意義。願其本研究結論可供色彩計畫的參考與相關實務應用以及後續的學術研究，亦或設計領域之相關設計研究方法應用與參考。關鍵詞：張愛玲、色彩、符號

關鍵字

張愛玲,色彩,符號

並列摘要

Color as while in carrier, state time train of thought and culture form seek also language. Purpose is calling explanation and annotation explanatory note of the synchronous phenomenon, it have languages that is color and not characteristics of janitor in the language two sides,to trying to build the visual concept of constructing literary flavor of " Zhang Ailing's classical-collection complete works "in this research of this characteristic. Important mutual relation in the world that it aims at analysis color and reality to exist that this research is designed, pass the exposition of broad sense and concept "Zhang Ailing's classical-collection complete works " Use content analytic approach ascertain, analyze their color symbol meaning in order to understand Zhang Ailing work color display particularity, attempt to reflect the color language value of "Zhang Ailing's classical-collection complete works ".Its research is designed and divided into two stages: Analyze the vocabulary materials of color at the first stage, the second stage dissects the symbol of the color symbol and behaves.Combine the analysis conclusions of every stages,it is learnt that " Zhang Ailing's classical-collection complete works " are used red, black,white three colors use the color for the works. The main color of its eight displays with the works types type, carry on the analysis of the color symbol: Find from 1947 to 1948 for use color boundary: Shown as the previous works used color inclination in 1947 whitely; Shown as using color inclination of the works on later stage of 1948 red. Three kinds of types types symbolize color each, the novel is red, the short story is white and red,the prose is white. In the meaning of the color: The fundamental key that the novel is red is distinct for personality, and have jealous existence, there is very tough love that hates the emotion. The white fundamental key, red of the short story is a pair of, plentiful for personality; And have existence nature recorded, it is very irritating flourishing emotion.It is the golden mean of personality that it is white that the prose is, and have sincere existence, there is very cordial familiar emotion.Annotate the color vocabulary of" Zhang Ailing's classical-collection complete works " via the research angle of color,it is learnt that Zhang Ailing leans to and uses red dominant hue as the works. The space-time when color and she is in used background has close relation nature, and can reflect her acumen to color of the above-mentioned current political situation changes.Also can understand color it emotion abysmal chemical action produced in people.Want to mean color is to the information that people transmitted consciousness,or it is for the multi-layer meaning of coloring to understand into human freedom intelligence.The analysis research results of the color symbol of this research, but understand the situation of relevant color literature which domestic and international Zhang Ailing studies in recent years roughly,can should offer reference and relevant practice that color plan another with study continuously after the academic nature,or the relevant research approaches to design field employ and consult the direction. Keywords: Eileen Chang, Color, Symbol