從碎形走到完形的混沌秩序─病理圖譜的誘發與衍化

The Order in Chaos: from Fractal to Gestalt ─ Pathology Atlas 's Inducing and Derivative

王馨珮(Hsin-Pei Wang)

指導教授 ： 張振輝

台南應用科技大學/藝術學院/美術研究所/碩士(2011年)

https://doi.org/10.6821/TUT.2011.00127

摘要

本創作運用混沌與秩序是共存的概念，以「從碎形走到完形的混沌秩序」為主題，論述因「病理圖譜」之跨域交融，成為創作靈感來源，以及各種人、事、物的誘發啟迪下，綜觀說明創作思維形成、媒材選用、技法表現以及理念之間的脈絡關聯性，皆為非線性因果關係，此創作特質筆者視為，混沌中藏有秩序，秩序中可見混沌之不可預知的創作演進歷程。
一、緒論：說明創作動機之緣起、目標、範圍限制、方法流程與名詞釋義。
二、理論基礎：蒐集「混沌」、「碎形」、「完形」之理論，以舉證的方式，將創作歷程之現象表現，做整體說明、解析和印證。
三、創作理念與表現形式：觀看病理圖譜的染色過程與形態特性變化，成了此創作構想及表現方式的靈感來源，同時透過創作也找到因情感而生的心靈空間，誘發與衍化個人創作語彙，以及與學理基礎相符合的呈現模式，例如：混沌與秩序的運作、作品與病理圖譜之碎形樣貌、抽象表現、蘊含隨機性、音樂性及作品圖像與形成心象、意象之內面思維，和由完形心理操控下所形成之整體視覺感知等表現形式。
四、創作解析：分五個系列作品，追溯個人創作當下感知、說明由病理圖譜誘發與衍化而來的創作理念、探討系列作品中所依之理論基礎，以及期能傳達藝術價值和貢獻的可能性。
五、建議與未來展望：因「內化作用」與「自我覺察」，故順從心靈概念創作，能表現出自身的主觀意識，並影響觀察、表達行為與自我控制與修正，此亦為「完形」理論之體現，也印證混沌不是混亂的，而是有跡可循，且在某個範圍內是可得到控制的。
冀望未來創作之路，不斷更新調整自我內在思維與嘗試更多元的藝術表現形式，使得未來各階段之創作，能夠有更深廣的思維參照與表達。

關鍵字

混沌 ； 碎形 ； 完形 ； 秩序 ； 抽象表現 ； 病理圖譜

並列摘要

This creation adopts the idea that chaos and order can be co-existed and hence; the order in chaos: from fractal to gestalt becomes the theme of the painter’s creation to articulate pathology atlas’ cross-border confusion and it is also the inspiration source of this creation. To combine with other contributing factors’ from people, things and objects, the painter makes a comprehensive survey of the formation of artistic inspiration, the chosen media, the technique of expression and the correlation between theories and comes to the conclusion that they are all non-lineal causal relationship. The painter considers such creation is an unpredictable evolving progress that there is order hidden behind chaos and vice versa.
A. Preface: to articulate the origin of creation motivation, goals, boundaries, techniques of expression/process and terminology.
B. Theoretical basis: to make an overall articulation, analysis and mutual proof on artistic creation process with evidence based on theories regarding chaos, fractals and gestalt.
C. Idea of creation and forms of expression: to observe chromosome and its changes of formation characteristics on pathology atlas though microscope becomes the source of artistic inspiration. Through the creation process, the painter’s spiritual space is also developed due to emotional affection which brought about personalized creation terminology and such forms of expression also fits in with theoretical basis. For example, the operation between chaos and order, the fractal images between artistic works and pathology atlas, abstract expression, randomly applying different media for creation, the characteristics of music in creations, the image of creation and the formed imagery, the inner thoughts of those images, and the overall senses of sight conscious under the psychological control of gestalt all conform to the theories the painter apply for.
D. The analysis of creation: there are five series in total. To trace the consciousness on the spot of creation, articulate how pathology atlas and evolving brought about inspiration and explore the theoretical basis of these series’ creation. It is expected to attain the possibility of delivering artistic value as well as making some contribution through creation.
E. Recommendation and future prospect: internalization and self-examination help the painter to follow her heart while making creation which reflects the subjective aspect in her works. It also has impact on observation, indicative behaviours, self-control and self-revision which properly represents gestalt theory. It also proves that chaos is not disorder but traceable which can be controlled within certain boundaries.
In regards to future prospect, it is expected that the painter could constantly adjust her thought and experience more diversified artistic media which will make her creations in the future deliver deeper and broader thoughts and reflections.

並列關鍵字

Chaos ； Fractal ； Gestalt ； Order ； Abstract Expression ； Pathology Atlas

參考文獻

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