本研究主要從自身的內心省視作為出發點,將自身的生活經驗和創作背景,與此做相關連結和分析,經由個人對心靈的觀察、對話,透過瑞士心理學家卡爾.榮格的人格面具以及陰影,從自我意識的與潛意識的層面,檢視內在的心理情緒,探討本我。 參考魯東、夏卡爾和布赫茲三個藝術家在「陰影」、「記憶」與「瞬間」三方面的表現方式來發展創作形式。經由移情作用而將精神意識投射於外,利用線條、色彩與象徵性的符號表達內在思維;媒材方面則以素描、版畫為主,來表現生活的記憶與感受,傳達內心關照的情境;並分析個人的創作作品,進一步說明其內涵與表達形式,得以藉此觀看真實的自我。 在本文中不斷省思、面對並回溯創作的心路歷程,結合現代西方美學和心理學等相關的理論,發展出筆者的創作概念-對話‧紀錄。期盼藉由創作來紀錄心靈,使潛意識與自我意識產生對話,可以更了解本我,除了能在未來發展出更能完整的表達心靈的作品,也進一步嘗試統合人格,以更積極、勇敢的方式去面對未來生活的各種變化。
This dissertation begins with an inner reflection on self as a subject. The writer offered his personal experience and creating background as materials to be related to or analyzed. Through personal observation and dialogue with the psyche, taking Carl Jung’s concepts of “ persona ” and “shadow” as main points of reference.Thewriter examinedhis own consciousness and sub-consciousness to view internal psychological and explore the Self. Taking the Shadow of Redon, Memory of Chagall and Moment of Buchholz to establish creative form. Project the spiritual consciousness by empathy; use line, color and symbolic sign to express inner thought. The writer applies the materials of Sketch and Print to voice out the feeling and memory for life, also the inner observation. It furthermore analyzes and explains the content and expression style to examine truly me. In this study, the writer keeps thinking, face and track back to her own creative journey. Plus the combination of contemporary western aesthetics and psychology theory, the development of the creative concept –Dialogue‧Record. Hope to realize Self by creating, and then to make sub-consciousness dialogue with the consciousness. It develops not only the work of expressing psyche completely, but furthermore trying to syncretize personality. It faces all kinds of variations with more active and brave ways in the future life.