官將首圖像寓意研究與剪紙創作

台灣的文化，累積沿襲中國文化，以及經歷外國侵略殖民地時期、西方藝術文化、戰亂政治威權及原住民文化覺醒，形成特殊多元的台灣本土文化。而豐富多樣的文化影響，造就台灣宗教的獨特性。「官將首」在宗教活動儀式中，應用結合不同藝術元素，在宗教儀式功能之外，發展獨創成為台灣民俗宗教藝術，由北到南的流傳開來，成為廟會中最矚目的宗教藝陣之一，也成為台灣民俗宗教藝術獨有的文化價值。本論文以文獻探討、田野訪查以及親訪演繹現場和陣頭藝術工作者，作為研究的方法。分析其寓意與藝術元素，運用「官將首」藝陣團體中特有的圖像圖騰藝術觀點，將視覺元素導入剪紙創作，嘗試傳統藝術美感設計成為我們生活中的「民俗傳統藝術」及「視覺裝飾藝術」結合應用，透過創作技法、媒材運用及電腦數位輔助設計相關概念，作為創作的基礎，呈現出傳統文化藝術轉換成為「故事寓意視覺藝術」。使傳統民俗文化藝術產生新視覺藝術美感更多方面可看性。

關鍵字

官將首；陣頭；剪紙；圖像寓意

並列摘要

Taiwanese culture is not only followed the Chinese culture, but also is effected by foreign aggression in the colonial period, western art trends, the turbulence of the era of war, political authoritarianism, and the native culture. Taiwanese mutiple religious culture has been developing a unique value by these aspects. " Gun Jiang Shou ", which are in religious activities, application of a combination of different artistic elements. Not only in the religion ceremonies features but also developing the original of Taiwanese religious folk art. Chief officers have been became a leading parts and an unique religious treasure in Taiwanese folk culture. In this thesis, the literature discussion, data collection, field visits and interpretation of the scene and a troupe of artists are the methods of research. Analysis of its moral, artistic elements and the usages of paper-cutting by the unique patterns among those different performance groups. Then taking these elements to apply into the visual decorations and the traditional Taiwanese folk by the creative techniques, media and digital designations. To present the processing from the traditional cultural art to a story-telling visual decoration ones which makes the mutiple functions both in the folk arts and the new visual arts.