The resurgent interest of U.S. novelists since the 1990s in the radical abolitionist John Brown is linked to their search to represent a multiethnic nation within a singular American narrative located either in the past or the present. This essay focuses on recent fictional representations of Brown on the Borders - the Kansas Territory of the 1850s - where he became notorious as the formal boundaries of the U.S. national state were being extended into unsettled terrain. These novels reflect on the memory of Brown's actions by those who participated in them (Russell Banks' Cloudsplitter, 1998; James McBride's The Good Lord Bird, 2013) as well as those who have inherited a connection to those actions (Marilynne Robinson's Gilead, 2004). The possibility of Brown's history serving as a unifying national narrative is tested but not finally endorsed, because Brown's own hopes for an egalitarian multiracial society still remain unrealized.