從第三號鋼琴奏鳴曲看斯克里亞賓個人特質之秉承與發展

Scriabin's Musical Heritage and Individuality seen in his Third Piano Sonata

林季穎(Chi-Yin Lin)

《藝術學報》 97期 (2015/10) Pp. 187-214

摘要

本文以探討斯克里亞賓（Alexander Scriabin, 1872-1915）於第三號鋼琴奏鳴曲（Sonata No.3 in F-sharp Minor, Op. 23）中之個人特質。全文共分為四部份，第一部份，對研究之動機、目的、範圍及方法提出說明；第二部份，於此樂曲的音樂風格進行探討，包含曲式、調性、和聲、旋律、織度、節拍與節奏等面向；第三部份，從演奏詮釋觀點，針對音樂個性、織度、力度、速度及音型等面向，進行探討；第四部份，為本研究的結果提出綜合論述。最後，希冀能將此研究的結果，提供作為演奏、學研及教學上之參考。

關鍵字

斯克里亞賓 ； 鋼琴 ； 奏鳴曲

並列摘要

The present study aims to explore Alexander Scriabin's (1872-1915) tradition and innovation in his Piano Sonata No. 3 in F-sharp Minor, Op. 23. The study contains four main parts. The first part outlines the research motivation, objectives, methodology, and scope. The second part explores the style and character of the piece, including the aspects of form, tonality, harmony, melody, texture, meter and rhythm. The third part discusses performance practice, including the aspects of character, meter, rhythm, texture, tempo, dynamics, and figuration. The fourth part presents the findings of the present research. It is hoped that the findings of the research can shed some light on piano performance, academic research and piano teaching.

並列關鍵字

Scriabin ； piano ； sonata

參考文獻

Scriabin, Alexander (1949). Ten sonatas for piano. Milwaukee, WI: MCA.

Scriabin, Alexander(1988).Complete piano sonatas.New York:Dover.

Antcliffe, Herbert (1924, July). The significance of Scriabin. The Musical Quarterly, Vol. 10, No. 3, 333-345. Retrieved July 12, 2015, from http://www.jstor.org/stable/738482

Baker, James M.(1986).The music of Alexander Scriabin.New Haven:Yale University Press.

Burge, David(2004).Twentieth-century piano music.Lanham, ML:Scarecrow.