毛澤東的文藝思想與中共文藝政策－《延安文藝座談會講話》的影響

Mao Zedong's Literature Thought and the Literature Policy in the Chinese Communist Party-The Impact after Mao's Speech at "Yen-an Literature Seminar"

黃淑芳(Shu-Fang Hwang)

《通識研究集刊》 8期 (2005/12) Pp. 171-196

https://doi.org/10.6488/JCGE.200512.0171

摘要

1942年5月毛澤東發表《在延安文藝座談會上的講話》，要求作家與工農兵結合，作品要為政治服務，這個「講話」成了禁錮作家創作自由的「最高指示」，是中共執行文化專制的經典文件，指導中共文藝政策60餘年，不僅造成多次慘絕人寰的文藝整風運動，也是1949年以後大陸作家悲慘命運的起源。中共對文藝的控制在鄧小平死後雖有較為寬鬆的態度，然文藝為政治服務的基調迄今並未改變，除非澈底的消滅馬、列、史、毛的思想根源，大陸的「人類靈魂工程師」才能獲得拯救，中國大陸也才能真正成為受國際社會肯定的泱泱大國。

關鍵字

意識型態 ； 延安文藝座談會 ； 文藝整風 ； 左聯

並列摘要

Mao Zedong took a speech at ”Yen-an Literature Seminar” on May 1942, in which he asked writers to associate with workers, farmers and soldiers. He advocated that the literary works should serve for the politics. The text of the speech thus became the authorized instruction of the Chinese Communist Party. While since then, the creative freedom of writers was deeply restricted. Mao's speech guided the policy of culture-tyranny more than sixty years in Mainland China, and caused a number of terrible literature rectification movements. To Chinese writers, it was the beginning of their miserable fate since 1949.
Although the control to literature has loosened a little after Deng Xiaoping died, the rule that ”literature serves for politics” has not changed yet. The only way to save the Chinese ”engineer of human soul” is to destroy the root of Marx's、 Lenin's、 Stalin's and Mao's thought thoroughly, and the Mainland China can really become a great country which will be highly honored in the world.

並列關鍵字

Ideology ； Literature Seminar ； Literature Rectification ； League of Leftist Writers