哀愁與智慧－杜十三詩的大悲咒

在歷史的回顧與前瞻中不停思索「創新」的杜十三(1950~)，一直以「多媒體的藝術」作為「文學」與「傳播」的焦點，努力頡頏詩的雅俗，希望書寫體能接合適於朗頌的口語體。本論文主要以杜十三的文字詩作為討論對象，惟仍稍及於他跨領域的藝術表現，大要如下：一、前言：簡介杜十三及其作品。二、詩與詩的越界演出：索探其傳統淵源和當代轉化。三、存在與災難：乃是他詩篇大量出現的主題，其間有迂迴繁複的陷溺與提昇。四、一棵不斷成長的樹：討論詩篇的語言形構種種，含括「散文詩」、「迴文詩」、「圖象詩」、「閩南語歌詩」……多樣化的特質。杜十三早期的「憂鬱書寫」傾向，晚近明顯衍為「因為苦難所以奮鬥」的生命指標，以及婉約深沉的歷史思索。五、結語：「石頭悲傷而成為玉」，正是杜十三詩作的總體「悲劇精神」，每一首詩篇，都是他一再轉換說法形式的大悲咒。

關鍵字

杜十三；現代詩；多媒體傳播；詩美學

並列摘要

Thinking of ”Innovation” throughout his career, Dushisan (1950~) has been working on Spoken Poetry in virtue of multi-media. This essay aims to discuss mainly Dushisan's Concrete Poetry and a bit his cross-field performance. The content is divided into five parts: 1. Preface. A brief introduction to Dushisan and his works; 2. Poetry and beyond poetry. An exploration of Dushisan's traditional source and contemporary transformation; 3. ”Existence” and ”Disaster,” two major themes of Dushisan's poetry and the intricate performance of obsession and catharsis; 4. A tree which keeps growing. An examination of Dushisan's varied forms and structures, including Prose Poetry, Palindrome Poetry, Image Poetry, and Holo Singing Poetry, etc. Dushisan's early tendency of ”Melancholy Writing” has been so far turned into not only his life guidance, ”To Fight against Suffering” but also the profound historical contemplation; 5 Conclusion-”A stone becomes a jade after going through sorrow” is the tragic spirit of Dushisan's poetry; each poem is an individual realization of his Great Compassion Mantra.