語近情遙－渡也詩略論

綜觀渡也的十二本詩集，其創作具持續性、多面性，以及出版的策略性。尤其特別的是，其中三本分由三個縣市文化局出版，顯見渡也對於他的出生、工作及住家所在地的認同與參與。渡也對人情冷暖感知甚深，而且恩怨分明，以行動和詩文報恩者有之；發為怒吼，挑戰惡勢力的勇氣亦多有所見。所以，我用「菊花與劍」為其性格象徵。情詩是渡也詩中的最大宗，前塵往事，現世現實，對於渡也來說，凡愛過的女子而入於詩，虛實互補互化，皆能詮釋愛情的真諦。從愛情到愛的結晶，渡也廣及社會關懷，又還原嬰兒原始而純真的道之境界，復見功力。至於寫物詠志，渡也素筆直書，語近而情遙，實是現代新詩的精品。

關鍵字

渡也詩；愛情；詠物；嬰

並列摘要

Giving Du Ye's (渡也) twelve book-length poetry an overview, we find that his writing is continuous, multifaceted, and his publications strategic. What is special is that three of these were published by three Departments of Cultural Affairs in different county and city governments. To cold and warm human contact he knows a great deal, and tries to give each its due, or express his gratitude with action and poetic writing; to misdemeanor of power, he often musters enough courage to roar against it. Therefore, I use ”Chrysanthemum Flower and Sword” to allegorize his poetic persona. The bulk of his poetry are about love that has been blown in the wind, into the dust which was reality. To him, all that about the other sex whom he has loved are both unreal and real yet reciprocal, and all capable of conveying the meaning of love. From love to the seeds of love, there is always extension to the society he lives in, and he tries to return all these to the primitive and innocent state of a baby, manifested in the plain of the Dao. It is from here we see the power of his poetry. As to inscribing his poems with the name of a true aspirant, he is completely honest. What is written seems real but whatever is expressed there remains elusive. His poetry is truly the best of a virtuoso.