並列摘要
This paper focuses on the musical dimensions of Chen Li' poetry. The first part discusses the relationship between poetry and music, concluding that musicality of poetry not only comes from sounds, but also from the picturesque effects of languages produced by poets, which happens to be Chen Li's strongest points. In the latter analyses, Chen Li's poems are found to musical owing to three aspects: his concrete-poetry characteristics; his addiction to the experiments of repetition techniques; and the last but not the least, his bitter-sweet representations of the world by way of nursery-like rhymes.
並列關鍵字
Musically ； visuality ； visual music ； concrete poetry techniques of repetition ； nursery ； rhythm被引用紀錄
林德宇（2012）。和弦與圖像的感知重組構成創作論述〔碩士論文，崑山科技大學〕。華藝線上圖書館。https://doi.org/10.6828/KSU.2012.00082
鄭仕毅（2011）。眼睛聽見的旋律 ─ 視覺音樂化之創作探討〔碩士論文，崑山科技大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0025-2308201103443600
延伸閱讀
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