向陽新詩創作類型論

The Theory of Xiang Yang's Poetry Writing Style

林于弘(Yu-Hung Lin)

《國文學誌》 10期 (2005/06) Pp. 303-325

https://doi.org/10.6973/CJ.200506.0303

摘要

本文之寫作，是以向陽歷來結集出版之新詩創作為對象。在身分上，向陽兼具傳播媒體工作者與文學藝術創作者的雙重特色，在臺灣眾多的中生代詩人中，是甚為罕見的；在創作上，他以「十行詩」與「台語詩」獨步詩壇，並深受論評者的矚目，也和其他同輩的創作者有所區隔。不過除了「十行詩」與「台語詩」之外，向陽其他類型的詩作卻鮮少被關注，是以在研究的完整上，或有遺珠之憾的可能。因此，本文即採取回歸文本的態度，重新檢視向陽所有詩集的內容與結構，並嘗試配合其生平經歷與創作出版的狀況，以分期歸納的方式，一方面釐清向陽既有詩作的類型特色，另一方面也前瞻其未來發展的種種可能。

關鍵字

向陽 ； 新詩 ； 十行詩 ； 台語詩

並列摘要

The objects of the study are published poems of Xiang Yang. On the status, he's a media worker and also a literature writer. It's rare in Taiwanese middle-age poets. In his creation, Taiwanese poetry and ten-line poetry are deeply focused with reviewers and distinguished from other fellow poets. In addition to Taiwanese poetry and ten-line poetry, his other styles are scarcely concerned. As complete study, it may be a pity. Therefore, the study is to regress texts and to check all content and construction of Xiang Yang's verses. It also operates in his life experiences and creative publication. By stages inducing, it distinguishes Xiang Yang's original writing features. On the other hand, it prospects his development in the future.

並列關鍵字

Xiang-Yang ； poetry ； ten-line poetry ； Taiwanese poetry