論蕭蕭短詩的簡約美學

The Concise Aesthetics of Short Poetry from the Poet Siao-siao

丁旭輝(Hsu-Hui Ting)

《國文學誌》 10期 (2005/06) Pp. 57-79

https://doi.org/10.6973/CJ.200506.0057

摘要

在蕭蕭迄今為止的7本詩集、549首詩中，10行以下的詩作佔了77.6%，這是一個相當高的比例；而在這些短詩中，最大的特色，乃在於呈現出一種簡約的美學風格。本文透過詩作的分析歸納，指出其所賴以營造簡約美學的手法，乃是以詩作外景（外在視覺形式）與內景（意象）的雙重簡約為基礎，或者利用簡約後極簡的意象凝聚全詩的焦點，藉以彰顯豐富的詩意與美感；或者消解意象的形體，甚至完全不用任何意象，而將詩意涵融於抽象的心象與簡潔的詩語之中，表現出一種成熟的簡約美學。

關鍵字

蕭蕭 ； 短詩 ； 簡約美學

並列摘要

In the 549 poems from the seven poetry collections, the ten-line poetry has reached 77.6%. This ratio is quite high in Siao-siao's works. The characteristics of his short poetry reveal the style of concise aesthetics. The study aims to analyze and generalize her works and points out the method of this kind of concise aesthetics. The poet often takes the exterior visual form and interior imagery as the base of the poem, i.e. the dual concision. He will use the extremely brief imagery to condense the focus of the poem in order to show the rich rhyme and beauty of the poetry. He will also remove the form of imagery or even use no imagery at all in the poem, but blend the rhyme into the abstract sensation and brief poem. As a result, the mature concise aesthetics is unfolded.

並列關鍵字

Siao-siao ； short poetry ； concise aesthetics

參考文獻

蕭蕭(1982)。悲涼。台北:爾雅出版社。

蕭蕭(1998)。雲邊書。台北:九歌出版社。

蕭蕭(1996)。緣無緣。台北:爾雅出版社。

蕭蕭(2000)。蕭蕭世紀詩選。台北:爾雅出版社。

宗白華(1987)。美從何處尋。台北:駱駝出版社。