〈從篇章結構看北宋亭臺樓閣諸記“以賦為文”〉的現象

筆者從篇章結構的浸染與新變切入，觀察賦體對北宋亭臺樓閣諸記的影響，發現：它常用「三段式結構以體現建園立記的用心」，在記末會以「歌曰」、「辭曰」、「頌曰」、「詩曰」及「偈曰」作結。它也常用「設辭問答的結構與虛實相生的園林美學呼應，或是虛設其客，抑客揚主；或是互爲主客，平分秋色；或是主客合一，主的多面向呈現；或是揚客抑主，主居下風。期盼經由篇章結構的比對，可證實北宋亭臺樓閣諸「以賦爲文」的情形；同時也凸顯出它的新變。

關鍵字

以賦爲文；亭臺樓閣；篇章結構

並列摘要

I watch how fu concerns 「jihs」of「tyng tair lou ger」of North Sung in the view of the baptism and new change in the structure of chapters。I find the writers usually use the structure of 「three sections」to materialize the attentiveness which building the and writing the 「jihs」, they usually end the chapters with 「歌曰」、「辭曰」、「頌曰」、「詩曰」or「偈曰」。They also use the structure of「設辭問答」to respond the landscape garden aesthetics which real and unreal reinforce, they use the tricks that 「trumping up the guest to restrain him and spread the master」、「equaling each other」, 「uniting the master and the guest」、「spreading the guest and restraining the master」。I wish confirming the t character of「yii fu uei uen」about 「jihs」of「tyng tair lou ger」of North Sung and protruding the new change by comparing the structure of chapter。