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  • 期刊

淺探吟顯近體詩音樂美之內因與外緣

A Brief Exploration of the Internal and External Factors of the Beauty of Music of Chin-Ti Poetry by Poem Reciting

摘要


詩為最具音樂性之文學體裁,自來詩與音樂有其縝密之關係,而吟詩是體會詩作意境及美樂美的最佳方式。唯今人談詩、賞詩者多求其字面之意,而鮮吟詠品味其節奏韻律之音樂美,致使此心音所發之詩,其聽覺美感被擱而不論,甚且棄而不談。因之,本文即淺探詩作本具之內因音樂性,如:吟詩語言之選擇、複沓、變調後調符之抑揚,及吟者所致之外緣音樂性,如:基本吟法之展現、吟式變化之拿捏、頓挫處之選擇、吟法之運用。冀藉此二者,得以求致吟詠近體詩之最佳音樂美。

關鍵字

內因 外緣 吟詩 近體詩 音樂美

並列摘要


Poetry is the literature genre with the beauty of music the most. There is a close relationship between poetry and music. Reciting is the best way to experience the spirits and the beauty of music in poems. Nowadays while talking about the poetry or appreciating the poems, most people just focus on the meaning of the phrases only. People seldom savor the beauty of the rhythm of the poetry by intoning and result in the neglect of such aesthetic feeling of the audio. Hence, the paper would briefly discuss the melody of the poetry itself as well as the melody of the chanters’ intonation. This study expects that the best beauty of music of reciting Chin-Ti poetry could be found by exploring these two variables.

參考文獻


清朱彝尊(1981)。曝書亭全集。臺北:中華書局。
清李漁()。
朱光潛(1997)。詩論。安徽:安徽教育出版社。
李炳南(1985)。吟誦常則。臺中:青蓮出版社。
邱燮友(1991)。美讀與朗誦。臺北:幼獅文化事業公司。

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