從台灣光復初期廣播歌劇團之研究－以嘉義“桂秋雲歌劇團”為考察中心

嘉義「桂秋雲歌劇團」，成立於民國四十年左右，約在四十三年左右改為「眾樂歌劇團」，是當時南部劇團組織較完整且具代表之歌劇團，曾蟬聯南部地區地方賽冠軍至少三屆以上。在廣播歌仔戲興起之時，以其超群之演技，在眾多的歌仔戲團中脫穎而出，奪得公益電台之播出權，也可能是台灣第一個廣播歌仔戲團。對廣播歌仔戲的推廣具有傳承及引導之功。「眾樂歌劇團」進入「廣播歌仔戲」播出，帶給當時許多人另一個娛樂的享受，也讓一些歌仔戲演員有更多觸角往劇場外的空間發揮，還有一些本來只在舞台表演的歌仔戲團，在進入廣播劇後變成明星轉戰電視及電影。對於演員來說，廣播歌仔戲製造了許多歌仔戲明星，也給了聽眾們想像的空間，對於現今許多老人家來說，廣播歌仔戲給了他們許多那個時代的回憶，同時也讓歌仔戲更普及化，讓大眾普遍的接受，在無形中，拓展了歌仔戲的文化及藝術。

關鍵字

廣播歌仔戲；四句聯；插戲；切戲；公演

並列摘要

Chic-I Gui-Qiu-Yun Opera Company, established during the 1950's, was renamed as the Zhong-Le-Yue Opera Company around 1954. It was one of the better organized companies in southern Taiwan, representative of the contemporary theater formation. At the time, the Opera Company had won championships in local competitions for at least four consecutive years. During the emerging period of radio Ke-Zai-Xi (Taiwanese Opera), Zhong-Le-Yue (originally Gui-Qiu-Yun), with its outstanding performance, emerged among numerous companies to win the broadcast right from the public radio station. It was probably the first radio opera company in Taiwan, which, in a sense, carried the duties of passing down the heritage and served as a model in the age of radio opera. Zhong-Le-Yue Opera Company, as it moved from theaters into radio stations at the time, brought the public another form of entertainment, as well as opera actors more performing spaces outside of theaters. Some of the actors, originally performed only on stage, became stars after radio Ke-Zai-Xi became popular and later ventured into television shows and movies. For actors, radio Ke-Zai-Xi created many stars, and for the audiences, radio Ke-Zai-Xi brought a limitless space of imagination. To many old folks of today, radio Ke-Zai-Xi filled their memory of youth. Radio broadcast popularized Ke-Zai-Xi into every layer of the society and indiscernibly manifested the culture and art.