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華彥鈞《二泉映月》作品分析與詮釋

Hua Yen-Jun (The Reflection of the Moon on the Lake) Work Analys and Explanation

摘要


《二泉映月》是著名民間藝人華彥鈞(瞎子阿炳)最膾炙人口的一首二胡曲。它是以一個主題為基礎,並進行多次的變奏手法,使得全曲跌宕起伏,寓意深刻,耐人尋味。阿炳將傳統的演奏技法融入他的創作與演奏中,形成另一新風貌。本文主要藉由阿炳的原始錄音,以及楊蔭瀏記譜的版本,來探討阿炳的創作與演奏手法,還原《二泉映月》的本來面貌,進而讓演奏者在詮釋樂曲時,能充分掌握演奏要點,然後更能適切地融入自己的理解與看法。

關鍵字

華彥鈞 瞎子阿炳 二胡 二泉映月

並列摘要


”The Reflection of the Moon on the Lake” is the most popular ErHu music made by the folk musician Hua YenJun(A-Bing the Blind). It is based on one topic and developed to many different aspects of presentation. The music of the whole piece goes up and down. The meaningful inspect is also inspiring. A-bing involved the traditional playing skills to his creativity and musical presentation He successfully transfers the old aspect to a new world. This article focuses on A-bing's creation and his music presentaion by the original voice of A-bing himself and the copy writing of Yang YinLiu. At the same time, the author tries to present the original aspect of the piece ”The Reflection of the Moon on the Lake”, and moreover, to help all the players catch the spirits and the key points of the music when they play it. Also, the players can put their own ideas and inspiration to the piece properly.

參考文獻


杜亞雄、秦德祥(2007)。中國樂理。上海:上海音樂學院出版社。
林江山(2006)。中國擦弦樂器史。臺北:仙靖貿易有限公司出版部。
楊蔭瀏(1979)。阿炳曲集。北京:人民音樂出版社。
趙寒陽(1999)。名曲提示與二胡技法。北京:華樂出版社。
胡志平(1995)。托音胡琴的技法與風格─兼談阿炳二胡演奏的技法特點。黃鐘─武漢音樂學院學報。2,67-69。

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