女性運動電影《陽陽》：性別再現與身分認同

臺灣運動電影的研究逐漸受到重視，而且主要出現在體育或休閒領域。然而相當注重「男性」運動電影、忽略「女性」運動電影的討論，使得類似研究處於邊緣位置。本文認為，充滿文本特殊性的《陽陽》，正好提供一個可以介入女性運動電影研究的文本個案。本文的主要旨趣在於，援引電影理論觀點，以文本分析的方法解讀與詮釋《陽陽》，分別從性別再現與身分認同兩個層面進行論證，解構這部結合運動競技與演藝事業的影片，在各種不同權力關係的拉扯與妥協中，如何呈現多元的性別與文化意涵。

關鍵字

女性運動電影；陽陽；性別再現；身分認同

並列摘要

Sport film studies in Taiwan is gradually raising up and mainly appeared in the fields of physical education or leisure recreation. Nevertheless, it focuses on 'male' sport film and ignores the discussion of 'female' one. It leads the latter to marginal position. This article considers that Yang Yang could be a textual case involving the research of female sport film based on its textual specificity. The main purpose of this article is, citing the theoretical perspectives of film studies in order to read and interpret this film with textual analysis. It argues and debates through two dimensions including gender representation and identification. This article deconstructs how Yang Yang, a film combining sport competition and entertainment career presents multiple gender and cultural meanings within the struggling and negotiation of various power relations.