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  • 期刊

清代《秘殿珠林》與《石渠寶笈》編纂之研究

Qing Dynasty "Mi-Den Ju-Lin" and "Shih-Chui Bao-Ji" Compiles the Research

摘要


乾隆皇帝的書畫收藏數量龐大,在所有的公私收藏家中,可說是冠絕古今。因著高宗對書畫鑑藏的推動,分三期編纂《秘殿珠林》與《石渠寶笈》叢書,以便整理內府的書畫收藏,並成爲了中國歷史上最大的一部書畫藏品目錄。 本篇論文,擬從《秘殿珠林》和《石渠寶笈》編纂的背景與內容,探討乾隆內府的收藏負責單位、典藏處所和作品的來源,進而再從乾隆皇帝的鑑賞題跋和收藏印璽中,認識其書畫收藏的形式和表現。《秘殿珠林》和《石渠寶笈》初、續編,將清代內府收藏的書畫作品,作一完整的整理,在著錄上留下完整的文字資料。本篇論文希望經由對《秘殿珠林》和《石渠寶笈》的編纂研究,讓藝術史界能對該部著作加以重視,使學者得以參閱、依據並加以述作,對國立故宮博物院現今的收藏、書畫史和書畫鑑定,提供文字之紀錄。

並列摘要


The calligraphy and painting collection quantity of aloof from worldly affairs ancestor is huge, in all public and private collectors, may say that excels by far the ancient and modern. Is reflecting the impetus of connoisseurship because of Gao Zong to the calligraphy and painting, divides three issues to compile ”Mi-Den Ju- Lin” and ”Shih-Chui Bao-Ji” collection, in order to reorganize the imperial storehouse the calligraphy and painting collection, to became a biggest calligraphy and painting holding directory in the Chinese history. This paper, plans the background and content which ”Mi-Den Ju-Lin” and ”Shih-Chui Bao-Ji” compiles, discusses the Qianlong imperial storehouse the collection to be responsible for unit, book reservation quarter and work origin from. Then again from the aloof from worldly affairs ancestor's connoisseurship preface and postscript and collection imperial seal, knows its calligraphy and painting collection the form and performance. ”Mi-Den Ju-Lin” and ”Shih-Chui Bao-Ji”, initially, sequel, the Qing Dynasty imperial storehouse collection's calligraphy works, makes an integrated reorganization, leaves behind the integrated writing information on the description. This paper hope by way to ”Mi-Den Ju-Lin” and ”Shih-Chui Bao- Ji” compiling research, enables the art history to take seriously this work, enables the scholar to refer, basis and states does, to the National Palace Museum nowadays's origin of collection, calligraphy and painting history and calligraphy and painting appraisal, provides the record of writing.

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