This paper was mainly based on two articles: "A New Interpretation of the Style of the Dunhuang Manichean Fragment Buddha Nature Sutra: Focusing on the Four-Character Pattern of Buddhist Sutra Prose" and "A New Study on the Stylistic Form(體式) of the Chinese Traité Manichéen(摩尼教殘經) and its Missing Words by Consulting the Stylistic Form of the Buddhist Sutras." We found that the structural style of Traité Manichéen obviously adopted the tri-section form of Buddhist scriptures(三分科經法) and four-character pattern(四言格), often seen in Buddhist scriptures. In this paper, we continue to use the above method to further analyze and explain the few cases that do not conform to the four-character pattern in the Chinese Traité Manichéen. Finally, try to create a chanting text of Traité Manichéen as an appendix.