王灼《碧雞漫志》探析

Toward the Analysis of Wang Zhuo's Bi-Ji-Man-Zhi

周曉蓮(Hsiao-Lien Chou)

《國立臺中技術學院通識教育學報》 4期 (2011/01) Pp. 25-41

https://doi.org/10.7051/JGE.201101.0027

摘要

詞盛於宋，詞話亦始於宋。詞話者，蓋採隨筆之體，論詞話詞者也。然初期之詞話，雜出於各種叢書筆記之中，詩詞雜陳，非專論詞者，詞話非自成卷而為專書者，實肇端於南宋王灼之《碧雞漫志》。本書首論古初至唐宋歌曲衍變之跡，卷二品評北宋詞家，卷三至卷五詳考曲調源流。本文先就《碧雞漫志》一書之本身加以探究，略述本書之卷數、作者、得名之緣由、成書年代，進而探討作者之音樂文學觀，藉以彰顯《碧雞漫志》在中國音樂文學史上的特殊性。

關鍵字

詞話 ； 歌曲 ； 音樂文學 ； 詞之起源

並列摘要

Chinese verse and its critique rose in Song Dynasty. The track of Song Verse (Ci Poetry) originated with the random-commentating style. Nevertheless, the initial stage of Song Verse scattered in various book series or monographs. The primary specialization on Song Verse could be traced back to Wang Zhuo's Bi-Ji-Man-Zhi in Southern Song Dynasty. Bi-Ji-Man-Zhi starts in terms of the development of Song Verse from Tang Dynasty, following with the criticism toward the verse in Northern Song Dynasty, unites the sources and roots of melody background on Song Verse in Volume Three, Volume Four and Volume Five. This essay focus on the text in Bi-Ji-Man-Zhi, stating the historical views of its title, volumes, and author, in order to promote Wang Zhuo unique views in the history of Chinese music literature.

並列關鍵字

Verse Critique ； lyrich and melody ； music literature ； the origin of Verse

參考文獻

(1955)。尚書。台北:藝文。

(1955)。論語。台北:藝文。

戰國孟軻(1955)。孟子。台北:藝文。

漢司馬遷(1987)。史記。台北:鼎文。

漢班固(1976)。漢書。台北:鼎文。