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色彩構圖模式分析-以電影的色彩運用為例

Analysis of Color Composition Modes - The Use of Color in Films

摘要


電影是娛樂生活中不可缺少的一部分,觀賞電影時,觀眾會跟隨著故事的情節起伏和人物的表現而產生共鳴,我們總會以為這只是電影情節和人物表現而影響了我們的情緒,卻常常忽視了奠定整部電影感情基調的頭等元素——色彩。本論文旨在分析色彩構圖模式是否有運用的規律,藉由數據化的研究來分析電影所展現的用色特徵,並統整這些規律來引導出固定的用色定律。以電影作為參考的研究範例,探究電影是如何運用色彩來引導觀眾情緒,藉由量化分析觀察電影創作者如何處理電影中的色彩,運用色彩構圖的模式來加深觀眾視覺的感官體驗。本論文透過數據分析已知的色彩構圖模式,並嘗試發覺尚未被發現的色彩構圖模式,並藉以大量的電影實例為舉證,綜合出一套色彩構圖模式,以供未來相關產業之使用者,有明確的模式能夠運用,並增加工作上的效率。

關鍵字

色彩構圖模式 電影

並列摘要


The film is entertaining an indispensable part of life, while watching movies, the audience will follow the performance and plot the ups and downs of the story and the characters resonate, we always thought it was just a movie plot and characters affect the performance of our emotions, but often ignoring the emotional tone of the whole movie to lay first-class elements - color. This paper aims to analyze the color composition mode is regular use of research by analyzing the data of the use of color feature film exhibited, and Integration to guide these laws with the laws of a fixed color. A reference to the movie as a research paradigm, the movie is exploring how to use color to guide the audience mood, with quantitative analysis to see how filmmakers of color film processing, use of color composition model to deepen the audience's visual sensory experience. This paper analyzes the known color composition mode through the data and try to find color composition model has not yet been found, and thereby a large number of movies as an example of proof, a set of integrated color composition model for future users of the related industries, there a clear pattern can use, and increase the efficiency of work.

並列關鍵字

Color Composition Mode Film

參考文獻


Johannes Itten(2004)。The Art of Color。JOHN WILEY SONS。
林昆範(2013)。色彩原論。新北市:全華圖書股份有限公司。
簡政珍(2004)。電影閱讀美學。臺北市:書林出版有限公司。
貝蒂 ‧ 愛德華(2013)。像藝術家一樣思考。台灣:木馬文化。
戴孟宗(2015)。現代色彩學:色彩理論、感知與應用。新北市:全華圖書股份有限公司。

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