女體攝影風格之意象表現研究

Study Of The Female Body Photography Image And Style

陳詩庭(Shih-Ting Chen) ； 胡齊元(Chi-Yuan Hu)

《中華印刷科技年報》 2020 (2020/06) Pp. 506-522

摘要

「女體」長期就是被窺視的對象，從許多面向可察覺到，尤其在攝影這方面更為顯著。近幾年，女性主義興起，開始有人敢於站出來替自己或是長年不被尊重的女性說話，述說著她們如何受到不公平的對待，這幾年遍佈全球的就是從韓國發起的「#metoo」，讓更多人關注到女性社會地位應該被放置在何處，也讓有關女性攝影開始有了更多的風格以及種類，不單只有過往男性凝視的詮釋。本研究將「女體攝影作品」進行搜集與分類，透過德菲法分為五大類，分別為人文紀實類、藝術類、概念議題類、超現實類、男性凝視類，再透過市場調查法分析出喜好度最高的影像樣本以及在不同風格的樣本在視覺認知下所感受到的意象差異。

關鍵字

女體攝影 ； 女性主義 ； 意象表現

並列摘要

The ＂female body＂ has long been the object of peeping. It can be noticed from many aspects, especially in photography. In recent years, the feminist movement has risen, and many people have come forward to speak for themselves or women who have not been respected for many years, saying that they have been treated unfairly. In recent years, the #metoo has been launched from South Korea. People pay attention to where women's position in this society is placed, and they also make women have more styles and types in photography. It is not just the interpretation of past male gaze. This research collects and categorizes ＂female photography works＂, and divides them into five categories through the Delphi method, including human documentary, art, conceptual issues, surreal, and male gaze, and then analyzes preferences through market surveys. The highest degree of image samples and the difference in image perception between different style samples under visual cognition.

並列關鍵字

Female body ； Feminism ； Image

參考文獻

川田喜二郎（1986）。KJ 法──渾混談。東京：中央公論社。

陳俊宏（1988）。配色意象之調查分析。台中商專學校學報，20，p.117-159。

黃惇勝（1995）。台灣式KJ法原理與應用。臺北：中國生產力中心。

周文祥 (1996)。意象訓練的概念與方法。國民體育季刊，1，116-123。

高清漢（1997）。當前台灣產品形象定位之探討( 碩士論文 )。取自台灣博碩士論文知識加值系統。