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旅遊時空記憶中的詩文互文性分析-以《觀光日記》之文學地景書寫為視境

Intertextual Analysis on Poetry and Prose about Travel Time and Space Memory-Literary Landscape Writing of "Travel Diary" as Horizon

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摘要


本文以台灣區域地誌文學之旅遊空間記憶為探討對象,除了探究主要聚焦於吳德功《觀光日記》中的觀光地理景點的詩文對話,瞭解文人墨客之創作素材仍離開不了其所生長旅歷的土地,作家與其筆下生焉、長焉及遊焉的文學地景有著無法割捨的記憶與情感。台灣日治時期文人吳德功《觀光日記》作品可謂體現區域文學地景的高度關聯性。作者自1900年3月8日從其家鄉彰化起程寫起,經中莊仔、柴坑仔、湖日莊、大墩族親鸞旂家、大墩、台中、大甲溪、葫蘆墩,其與區域之間的移動,影響著文學的生產並展現文化場域的變遷。本文以《觀光日記》為研究文本,除了考察作者吳德功生平、旅遊背景場域,透過詩文互文性之分析,再現作者的旅遊空間記憶,以突顯詩文合體在旅行文學撰寫上的功能特性。

並列摘要


This article takes the traveling space memory in Taiwan region geography literature as the discussion object, mainly focuses on the poetry and prose dialogue at scenic spots of sightseeing geography in Wu De-Gong's (吳德功)"Travel Diary" (《觀光日記》). It is observed that the source material in creative writings of the literati is inseparable from the lands they have gone through. They have a deep memory and affection for the literature landscape where they were born, grew, and traveled through. A high correlation among literary landscapes was manifested in "Travel Diary", a writing of Wu De-gong–a scholar in Taiwan during Japanese colonial period. The writing started from the author's departure from his hometown Changhua in March 8, 1900. He then moved through Zhung-zhuang-zi (中莊仔), Zi-keng-zi (柴坑仔), Hu-ri-zhuang (湖日莊), Da-dun zu qin luan qi jia (大墩族親鸞旂家), Da-dun (大墩), Tai-zhong(台中), Da-jia-xi(大甲溪), and Hu-lu-duen(葫蘆墩). His moving between different regions affected his literary production and showed the transition between different cultural fields. This study is based on the "Travel Diary". In addition to investigating Wu De-gong's biography, tour background, and its fields, the travel time and space memory is reproduced through the intertextual analysis on poetry and prose. The functional properties of fused poetry and prose in writing travel literature is highlight.

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