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一、中文部分 王曉伯、鍾玉玨(譯)(2021)。《隱形牢籠:監控世代下,誰有隱私、誰又有不受控的自由?》。台北市:時報出版。(原書Bloom, P. [2019]. Monitored: Business and Surveillance in a Time of Big Data. UK: Pluto Press.) 石計生(2017)。《探索藝術的精神:班雅明、盧卡奇與楊牧》。台北市:書林。 李明璁(2015)。〈韓國流行音樂的視覺性、身體化與性別展演:以「少女時代」的MV產製和消費挪用為例〉,《新聞學研究》第122期2015年1月,37-78頁。 李正賢(譯)(2014)。《質性研究:設計與計畫撰寫》。台北:五南。(原書Marshall, C., & Rossman, G. [1972]. Designing Qualitative Research. UK: Penguin.)。 林育聖(2015)。《繁瑣元素的佈署邏輯:再思形式主義》。臺南藝術大學藝術創作理論研究所博士論文。 邵健、章成志、李蕾(2015)。〈Hashtag 研究綜述〉,《現代圖書情報技術》,263 (10),40-49頁。 吳莉君(譯)(2010)。《觀看的方式》。台北:麥田。(原書Berger, J. [1972]. Ways of Seeing. UK: Penguin.)。 吳筱玫、周伊芷(2008)。〈Tagging的分類與知識意涵:以flickr首頁圖片為例〉,《新聞學研究》第99期2009年4月,265-305頁。 吳筱玫、蘇柔郡(2018)。〈高中女生使用Instagram之日常美學:符擔性觀點〉,《新聞學研究》第135期2018年4月,139-191頁。 胡幼慧主編(1996)。《質性研究:理論、方法及本土女性研究實例》。台北市:巨流。 金麟(2018)。〈年輕世代的行動攝影實踐與美感想像:以Instagram使用者之為例〉,《傳播文化》,17: 90-119頁。 徐宗國(譯)(1998)。《質性研究概論》。台北市:巨流圖書。引自P 22(原書Strauss, A., & Corbin, J. [1990]. Basics of qualitative research : grounded theory procedures and techniques. UK: SAGE.)。 財團法人台灣網路資訊中心(2019年12月26日)。〈2019 年台灣網路報告〉,《台灣網路資訊中心》。取自https://report.twnic.tw/2019/ 陳春富(2008)。〈想像的群眾?真實的商品?-閱聽人圖像之組織形構分析〉,《廣播與電視》第28期2008年6月,71-94頁。 連樹聲(譯)(2005)。《原始文化:神話、哲學、宗教、語言、藝術和習俗發展之研究(重譯本)》。廣西師範大學出版社。(原書Edward B. Tylor [1990]. Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom.Vols I and II, London: John Murray.)。 楊喬文(2018)〈限時動態如何讓人愛不釋手?探討暫時性社群媒體之線上自我揭露行為〉,《中華傳播學會》,2018:2-3。 陳品秀、吳莉君(譯)(2013)。《觀看的實踐-給所有影像世代的視覺文化導論》(全新彩色版)。台北市:臉譜。引自P 22(原書Sturken, M., & Cartwright, L. [2009]. Practices of Looking: An Introduction to Visual Culture. USA: Oxford University Press.)。 葉浩(譯)(2007)。《觀光客的凝視》。台北市:書林。(原書Urry, J. [1990]. The Tourist Gaze. London. UK: SAGE.) 彭仁郁、王紹中(譯)(2019)。《臨床的誕生》。台北市:時報出版。(原書Foucault, M. [1963]. Naissance De La Clinique. FRANCE: Presses Universitaires de France - PUF.) 黃宛瑜(譯)(2016)。《觀光客的凝視3.0》。台北市:書林。(原書Urry, J. & Larsen, J. [2011]. The Tourist Gaze 3.0. London. UK: SAGE.) 黃冠華(2006)。〈觀看不見:凝視的概念〉,《新聞學研究專題》第87期2006年,頁131-167。 黃惠雯等(譯)(2007)。《最新質性方法與研究》。台北市:韋伯。(原書Benjamin F. Carbtree., & William L. Miller. [1999]. Doing Qualitative Research. UK: SAGE.)。 黃燦然(譯)(2010)。《論攝影》。台北市:麥田。(原書Sontag, S. [1977]. On PHOTOGRAPHY. New York. NY: Anchor Books.)。 劉北成(譯)(1992)。《規訓與懲罰:監獄的誕生》。台北市:桂冠。(原書Foucault, M. [1975]. Discipline & Punish: The Birth of the Prison. FRANCE: GALLIMARD.) 張曉劍(2013)。〈論弗雷德與克拉克的現代主義之爭〉,《文藝研究》第255期2013 年第5期,頁104-109。 張繼文(2014)。〈是「誰」的視覺文化?論觀光凝視與視覺藝術〉。國立屏東大學主辦,《2014視覺藝術「中介」研討會暨文化創意動畫產業產學論壇論文集》。屏東:國立屏東大學,頁1-18。 趙偉妏(譯)(2009)。《消費文化與後現代主義》。台北市:韋伯。(原書Featherstone, M. [1991]. Consumer Culture and Postmodernism. UK: Sage.)。 趙偉妏(譯)(2010)。《符號與空間的經濟分析》。台北市:韋伯。(原書Lash, S. & Urry, J. [1994]. Economies of Signs and Space. UK: Sage.)。 鄧曉芒(譯)(2003)。《判斷力批判》。臺北:聯經出版公司。(原書Kant, I. [1924]. Kritik der Urteilskraft. Hamburg: Verlag von Felix Meiner.)。
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