馬一浮六藝互攝論析論－以詩教和易教為中心

A Rich and Interactive World of Meaning: Interpreting Ma Yifu's Theory of the Inter-Constitution of the Six Arts

劉樂恒(Le-Heng Liu)

《漢學研究》 31卷4期 (2013/12) Pp. 247-278

摘要

「六藝論」是馬一浮新儒學思想的基本主張。六藝論展示出一個本源、本真的意義機制，以圖化解近現代中國乃至人類社會意義迷失的危機。在六藝論的基礎上，馬一浮引申出「六藝互攝論」也即六藝之間相互統攝的思想。本文通過辨析馬一浮對於詩教與易教的論述，從兩個側面具體闡釋和討論六藝互攝論的義涵，並在此基礎上揭示其當代的價值。

關鍵字

六藝論 ； 相互涵攝 ； 新儒學

並列摘要

Ma Yifu (1883-1967) was one of the founders of New Confucianism 新儒學. His basic ideas are embedded in his Theory of the Six Arts 六藝論, in which the Six Arts constitute a matrix of meaning that attempts to resolve the crisis of a loss of meaning in modern China and even human society in general. Upon this foundation, Ma Yifu develops his Theory of the Inter-constitution of the Six Arts, which presents the idea that the Six Arts exercise mutual control over each other. This paper analyzes Ma Yifu's treatment of Confucian education in the Six Arts and discusses the implications of his Theory of the Inter-constitution of the Six Arts, revealing its contemporary value.

並列關鍵字

Ma Yifu 馬一浮 ； Theory of the Six Arts ； inter-constitution ； ontological feelings and emergence (gan xing 感興) ； image observation (guanxiang 觀象) ； New Confucianism

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